12 March – 6 September 2020
Extended until 15 November 2020
Andy Warhol (1928–87) was one of the most recognisable artists of the late 20th century, yet his life and work continue to fascinate and be interpreted anew. A shy, and gay man from a religious, migrant, low income household, he forged his own distinct path to emerge as the epitome of the pop art movement. This major new exhibition at Tate Modern – the first at the gallery for almost 20 years – offers visitors a rare personal insight into how Warhol and his work marked a period of cultural transformation. Drawing upon recent scholarship, it provides a new lens through which to view this American icon.
Featuring over 100 works from across his remarkable career, the show sheds light on how Warhol’s experiences shaped his unique take on 20th century culture, positioning him within the shifting creative and political landscape in which he worked. While he is best known for his iconic paintings of Coca-Cola bottles and Marilyn Monroe that held up a mirror to American culture, this exhibition emphasises recurring themes around desire, identity and belief that emerge from his biography. It shows how this innovative artist reimagined what art could be in an age of immense social, political and technological change.
Born Andrew Warhola, he grew up in Pittsburgh to Carpatho-Rusyn parents who emigrated from a small village in the former Czechoslovak Republic. The Warhola family were devout followers of the Byzantine Ruthenian Catholic Church, and the impact of the strong religious conviction of Julia Warhola, Andy’s mother with whom he lived for most of his life, is considered as a significant context to his work. Warhol’s sexuality is also an important theme in the exhibition, beginning with a selection of his evocative early line drawings of men from the 1950s. These works form an intimate pairing with the film Sleep 1963 – which documents Warhol’s lover, the poet John Giorno.
Key works from the pop period, such as Marilyn Diptych 1962, Elvis I and II 1963/1964 and Pink Race Riot 1964, are examined in relation to contemporary issues around American culture and politics, while Warhol’s drive and limitless ambition to push the traditional boundaries of media are represented via his famous Screen Tests 1964-6 and a recreation of the psychedelic multimedia environment of Exploding Plastic Inevitable 1966, originally produced for the Velvet Underground rock shows. Visitors can also experience Warhol’s floating Silver Clouds 1966 installation that was initially meant to signal his ‘retirement’ from painting in favour of moviemaking. He famously stated that ‘good business is the best art’: the exhibition looks at how Warhol’s forays into publishing and TV, as well as his interest in club culture, can be viewed as an attempt to bring the stars of the underground into the mainstream.
Following his shooting by Valerie Solanas in 1968, Warhol returned to large-scale painting projects and the exhibition emphasises his skill as a painter and colourist with a room dedicated to the largest grouping of his 1975 Ladies and Gentlemen series ever shown in the UK. These striking portraits depict anonymous Black and Latinx drag queens and trans women from New York, including iconic performer and activist, Marsha 'Pay it no mind' Johnson - a prominent figure in the Stonewall uprising of 1969. Warhol’s final works of the 80s, such as the poignant Sixty Last Suppers 1986 – on view at Tate Modern for the first time in this country – is considered in relation to the artist’s untimely death as well as the unfolding HIV/AIDS epidemic, which ultimately went on to impact the lives of many in his close circle.
Andy Warhol is organised by Tate Modern and Museum Ludwig, Cologne in collaboration with the Art Gallery of Ontario, Toronto and Denver Art Museum. It is curated by Gregor Muir, Director of Collection, International Art, and Fiontán Moran, Assistant Curator, Tate Modern; and Yilmaz Dziewior, Director, and Stephan Diederich, Curator, Collection of Twentieth-Century Art, Museum Ludwig Cologne.
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Selected List of Works by Andy Warhol in the Exhibition
Boy with Flowers 1955–7. ARTIST ROOMS
Marilyn Diptych 1962. Tate. Purchased 1980
Green Coca-Cola Bottles 1962. Whitney Museum of American Art, New York; Purchase, with funds from the Friends of the Whitney Museum of American Art
Marilyn Monroe's Lips 1962. Hirshhorn Museum and Sculpture Garden, Smithsonian Institution, Washington, DC, Gift of Joseph H. Hirshhorn, 1972
Marilyn 1962. Museum Brandhorst
Sleep 1963. The Andy Warhol Museum, Pittsburgh
Self-Portrait 1964. Fondation Louis Vuitton, Paris
Flowers 1964. Private collection
Silver Clouds 1966. The Andy Warhol Museum, Pittsburgh
Andy Warhol's Exploding Plastic Inevitable 1966. The Andy Warhol Museum, Pittsburgh
Self-Portrait 1967. Tate. Purchased 1971
Factory Diary: Julia Warhola in Bed Talking 1970–1971. The Andy Warhol Museum, Pittsburgh
Mao 1972. Yageo Foundation Collection Taiwan
Ladies and Gentlemen (Iris) 1975. Italian private collection
Ladies and Gentlemen (Marsha P. Johnson) 1975. Italian private collection
Ladies and Gentlemen (Helen/Harry Morales) 1975. Italian private collection
Skull 1976. Collection Larry Gagosian
Hammer and Sickle 1976. Museum Brandhorst
Torso 1977. Private collection
Debbie Harry 1980. The Private Collection of Phyllis and Jerome Lyle Rappaport
Factory Diary: Andy in Drag, 2 October 1981 1981. The Andy Warhol Museum, Pittsburgh
Dolly Parton 1985. The Doris and Donald Fisher Collection at the San Francisco Museum of Modern Art
Lenin 1986. Screenprint ink and acrylic paint on canvas
Self Portrait 1986. Tate. Presented by Janet Wolfson de Botton 1996
Sixty Last Suppers 1986. Nicole Erni Collection
ON WARHOL: BLAKE GOPNIK AND OLIVIA LAING
12 March 2020, 18.30 – 20.00, £12 / £8 concessions
This discussion, in association with Penguin Random House, marks the publication of art critic Blake Gopnik’s major biography Warhol: A Life as Art, which draws on hundreds of interviews and years of archival research. Gopnik is joined in conversation by writer and critic Olivia Laing and the event is chaired by writer and journalist Charlie Porter, both of whom have contributed to Tate Modern’s exhibition catalogue.
ANDY WARHOL CLOSE UP: BOB COLACELLO
22 April 2020, 18.30 – 20.00, £10 / £7 concessions
Writer, editor and photographer Bob Colacello worked closely with Andy Warhol from the early 1970s until the artist’s death in 1987. This is a unique chance to hear personal insights into Warhol’s life and work. Colacello will be in conversation with Gregor Muir, curator of the exhibition and Director of Collection, International Art, Tate Modern.
ANDY WARHOL MUSIC CLUB
27 April 2020, 18.30 – 20.45, £12 talk only / £31 talk and private view
Andy Warhol had a long engagement with music, from managing the The Velvet Underground to designing album covers for The Rolling Stones and Aretha Franklin. This event celebrates Warhol’s love of music and his continued influence on stars today, with The Guardian’s arts editor Alex Needham and critic Gilda Williams listening to a curated playlist of tracks and discussing the relationship between music and his artwork.
UNIQLO TATE LATES: ANDY WARHOL
28 August 2020, 18.00 – 22.00, admission free
August's Uniqlo Tate Late celebrates Warhol's work and legacy with live screen tests and a participatory fame factory. Enjoy a fleeting moment of fame as you strut down our red carpet, hosted by Pecs Drag Kings, while art psychotherapists get London's emerging creatives to discuss their relationship to Warhol. Visitors wil also experience thought-provoking film screenings, digital displays, music by NTS Radio and much more.
FILM PROGRAMME: ANDY WARHOL: MISFITTING TOGETHER
15 / 16 / 17 May; £10 each, concessions and group bookings available
Friday 15 May, 19.00 – 21.00
Jill and Freddy [Herko] Dancing 1963
Blow Job 1964
Jill Johnston Dancing 1964
Outer & Inner Space 1966
Saturday 16 May, 18.00 – 21.30
The Chelsea Girls 1966
Sunday 17 May, 15.00 – 19.00
The Velvet Underground Tarot Cards 1966
Mrs Warhol 1966