Tate Papers ISSN 1753-9854

Tate Papers no.20 Autumn 2013

This issue examines some under-studied writings by Adrian Stokes and Kenneth Clark, as well as Barbara Hepworth's relationships with her dealers and phenomenological aspects of her post-war sculpture. New light is also shed on a recently restored sixteenth-century portrait.

Dame Barbara Hepworth, ‘Stringed Figure (Curlew), Version II’ 1956, edition 1959
Dame Barbara Hepworth
Stringed Figure (Curlew), Version II 1956, edition 1959
© Bowness