What the Serpent Told Me in the Misty Gloom is a new performance by Martin O’Brien, an artist living in ‘zombie time’. Born with a life shortening disease, his work explores death, dying and the philosophical implications of living longer than expected.
This performance blends religious imagery with stories of paranormal encounters. With humour and intensity, O’Brien imagines an other world populated by queer and ghastly figures. Conjuring a parade of ghosts, devils and demons, the performance asks: what would it be to see a figure of death?
Staging visions of death that are vivid, absurd, painful and ridiculous, O'Brien attempts to understand his mortality through a queer, mythic register.
This performance is offered as part of Other Worlds, a season responding to the Edward Burra and Ithell Colquhoun exhibitions.
What the Serpent Told Me in the Misty Gloom has been developed with support from performance, possession + automation, funded by the Arts and Humanities Research Council (AHRC).
This event has been provided by Tate Gallery on behalf of Tate Enterprises Ltd.
Martin O’Brien
Martin O’Brien is an artist and zombie. He works across performance, writing and video art. His work uses long durational actions, short speculative texts and critical rants, and performance processes in order to explore death and dying, what it means to be born with a life shortening disease, and the philosophical implications of living longer than expected. He has shown work throughout the UK; Europe; USA; and Canada, and is well known for his solo performances and collaborations with the legendary LA artist and dominatrix Sheree Rose. Recent works were at the ICA (London), International Museum of Surgical Science (Chicago) the Southbank Centre, and as Writer in Residence at Whitechapel Gallery (London). He is winner of the Philip Leverhulme Prize for Visual and Performing Arts 2022. Martin has cystic fibrosis and all of his work and writing draws upon this experience. In 2018, the book ‘Survival of the Sickest: The Art of Martin O’Brien’ was published by Live Art Development Agency. His work has been featured on BBC radio and Sky Arts television, and as a double page spread in The Guardian. He is currently Head of the Department of Drama at Queen Mary University of London.
Created by Martin O'Brien
Performed by Martin O'Brien with Regina Agard Brathwaite, Ansuman Biswas, emilyn claid, Fritha Jenkins, Ash McNaughton, zack mennell & Pianka Pärna
Technical design and production management by Thomas Wilson
Produced by Regina Agard Brathwaite
Production support by James Dolan & AJ Thwaites
Videography by Baiba Sprance and Marco Berardi
performance, possession + automation (pp+a) is a collaborative research project led by Nicholas Ridout, Queen Mary University of London (QMUL), Dhanveer Singh Brar, University of Leeds and Orlagh Woods (creative producer), in partnership with Fierce Festival (Birmingham) and Transform Festival (Leeds) and with the collaboration of performingborders (London).
The project brings together academics and artists to investigate, through the practice and study of performance: the resistant power of ‘spirit possession’, the contemporary rise of automation, and their entanglement with histories of colonial slavery. We aim to produce an understanding of contemporary performance that is properly attentive to the colonial and racialising dimensions of the history from which it has emerged.
We are exploring automation and possession as two ways of thinking about what happens to human subjects who act in ways that they do not themselves fully control. How can making and thinking about artistic practice contribute to thinking about and through these ideas collectively.
Accessibility and the performance
Seating: the seating will be a mix of hard backed seats and cushions on the floor, with a limited amount of room for standing. Space will be reserved for wheelchair users.
BSL: this event will include British Sign Language interpretation.
Visiting Tate Britain
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