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Tate Britain Exhibition

Richard Deacon

5 February – 27 April 2014
Richard Deacon
© Tate

© Tate

Richard Deacon
Struck Dumb (1988)
Tate

© Richard Deacon

Richard Deacon
It’s Orpheus When There’s Singing #7 (1978–9)
Tate

© Richard Deacon

Richard Deacon
Art For Other People #12 (1984)
Tate

© Richard Deacon

Richard Deacon
Art For Other People #6 (1983)
Tate

© Richard Deacon

Tate Britain is delighted to present a major exhibition of the Turner Prize winner Richard Deacon, a leading British sculptor, best known for his large, lyrical open forms.

In a career spanning more than four decades, Richard Deacon has employed materials ranging from laminated wood and polycarbonate to leather, cloth and clay, examples of which are included in the exhibition. He works on both domestic and large scales, combining organic forms with elements of engineering. His continuously changing methods of construction are a result of developments in his sculptural approach, reflected by his use of sinuous bent wood, contorted steel and highly glazed ceramics.

This exhibition at Tate Britain highlights Deacon’s interest in materials and their manipulation, as in After 1998, a large wooden work where the continuous and looping form balances volume and space. Also included are works from the small scale but materially rich series Art for Other People 1982– , that explore the notion of contemporary art being owned and enjoyed by anyone. Of particular note are Deacon’s early drawings It’s Orpheus When There’s Singing 1978: a suite of drawings built up from complex compound curves that influenced the organic forms of much of his subsequent sculpture, and the large, sixty-part, green ceramic sculpture Fold 2012.

Throughout his career Deacon has placed as much emphasis on language as he does on materiality. This reflects a deep-rooted interest that stems from his reading of poetic, philosophical and other texts. Like his infinitely varied and continually evolving work – represented in Tate Britain’s Linbury Galleries by some 34 examples – Deacon cannot himself be pinned down to one style or subject matter. Only the principles of draughtsmanship and an emphasis on hands-on experimentation are constants throughout his career, while in that time he has also been lauded as a distinguished writer and educator.

This exhibition is curated by Clarrie Wallis, Curator, Modern & Contemporary British Art with Sofia Karamani, Assistant Curator, Contemporary British Art. It will be accompanied by a major book on the artist by Clarrie Wallis and a programme of talks and events in the gallery.

A joy to experience
Alastair Sooke, The Daily Telegraph

I wanted it to go on and on
Adrian Searle, The Guardian

Tate Britain

Millbank
London SW1P 4RG
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Dates

5 February – 27 April 2014

Sponsored by

Tate Members

Tate Members

In partnership with

The Richard Deacon Exhibition Supporters Group: The Henry Moore Foundation, Robert Hiscox, Lisson Gallery, Oliver Prenn

The Richard Deacon Exhibition Supporters Group: The Henry Moore Foundation, Robert Hiscox, Lisson Gallery, Oliver Prenn

and Tate Patrons

and Tate Patrons

Related events

Find out more

  • Richard Deacon Individual 2004

    Richard Deacon: Out of Order

    Richard Deacon: Out of Order past Tate St Ives exhibition

  • Richard Deacon, Two by Two 2010

    How I learned to see

    Simon Grant1

    The leading British sculptor Richard Deacon (born 1949), who first gained international prominence in the early 1980s, is the subject of an important retrospective at Tate Britain. His work in many media – steel, foam, rubber, chrome, leather, marble, as well as drawings – shows a lifelong interest in the potential of his materials to reflect his fascination for communication through form. Here, he talks about his influences – from toys and mathematics to caves, carved Buddhas and Donald Judd

  • Artist

    Richard Deacon

    born 1949
  • Tate Kids create: Twisted Words, Richard Deacon activity

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