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Tate Britain Exhibition

Roger Fenton

21 September 2005 – 2 January 2006
Roger Fenton The Valley of the Shadow of Death 1855

Roger FentonThe Valley of the Shadow of Death 1855

© Library of Congress, Print & Photographs Division

Roger Fenton The Valley of the Shadow of Death 1855

Roger Fenton The Valley of the Shadow of Death 1855

One of the most important nineteenth-century photographers, Roger Fenton had a profound influence on the medium despite the fact that his career lasted for just over a decade. Born in 1819, he abandoned his law studies to become a painter in 1839. After study in London he moved to Paris and became a pupil of Michel-Martin Drolling. In 1851, however, he ceased his painting studies to take up the newly-invented process of photography. During the next eleven years, Fenton produced a widely varied body of work that represents one of the greatest accomplishments in the history of photography, covering landscape, architectural views, orientalism, portraits of the Royal Family, still lifes and the galleries of the British Museum. Commissioned by Thomas Agnew under the direct patronage of Queen Victoria, he travelled to Balaclava to document the Crimean War. His photographs are among the first ever to depict war.

The exhibition, which, with approximately 90 works, is the largest exhibition ever to have been devoted to this photographer, and has been organised by the National Gallery of Art, Washington, The Metropolitan Museum of Art and the J. Paul Getty Museum, Los Angeles. It is also the first exhibition of its kind held at Tate Britain. The selection includes key loans from the Royal Photographic Society, the Royal Library, Windsor Castle, and various art galleries and private collections in both the United States and Europe.

Tate Britain

Millbank
London SW1P 4RG
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Dates

21 September 2005 – 2 January 2006

Sponsored by

The Hite Foundation

The Hite Foundation

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  • Roger Fenton The Valley of the Shadow of Death 1855

    A terrible beauty

    Simon Grant1

    In 1855 Roger Fenton took a photograph that became an iconic image of the Crimean War. The story of its making has itself become part of the medium’s history and subsequent generations of artists have been influenced by the first British war photographer.

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