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Free Tate Britain Late

Late at Tate Britain x HERVISIONS Digital Intimacies

16 May 2025 at 18.00–22.00

Late at Tate Britain Freedom Frequencies © Tate (Jordan Anderson)

  • Ground floor
  • First floor
  • Accessibility

Join HERVISIONS for a night responding to the influential works of Ed Atkins

Explore the relationship between technology and its influence on how we perceive ourselves, intimacy and loss in a night of performances, talks, games and workshops.

Co-curated in collaboration with HERVISIONS.

In response to Ed Atkins, as part of Digital Intimacies.

Tate Collective is supported by The Rothschild Foundation and Tate Patrons.

Programme

Ground floor

Clore Auditorium

Chia Amisola

Screening

18.30-19.15

Chia Amisola is an artist devoted to the internet's loss, love, labor, and liberation. They create ambiences, performances, and tools that explore third world infrastructure, intimacies, and identities through spaces domestic to divine.

Chantel Foo: I Want To Be Close To You

Performance

19.30-20.00

Chantel fleshes out avatars and seeks an embodied exchange through a live (streamed) exchange from New York City to London. The performance happens as an encounter, offering to compound multiple spaces, to merge interspatial presences, and ultimately tension time and space.

Investigating the relationship between a digitalised presence and how that is felt in the body, multiple cameras both capture and obscure Chantel. Liveness is further destabilised through the glitch space between our screens. What becomes of the implications of such tensions, what happens when a body that is outside of linear time and space reaches towards you, now?

The performance acknowledges how wholly ungraspable a self can be, yet, reaching past time zones, geography and the internet, calls to us, on the edge of disconnection, tripping, and faltering, with a simple desire to be closer.

Alex Quicho: RULED BY VENUS

Performance

20.10-20.30

RULED BY VENUS is a live performance in the style of an erotic thriller, set against projected CGI landscapes of alien oceans and toxic canyons.

The narrator speaks from the underworld, moving through three acts of descent as memories of pleasure, friendship, and extreme violence surface with dreamlike clarity, then dissolve. Resembling an off-world rendition of The Virgin Suicides, or a xenofeminist Closer, RULED BY VENUS takes shape as a katabasis with no return. Transformation happens through high exposure and blurred edges. Through a distorted monologue, alien imagery, and atmospheric sound, RULED BY VENUS invites audiences to co-inhabit the strange life that follows after the end. In collaboration with Carlo Quicho (CGI film) and Oxhy.

Maya Man: Chance Encounters

Performance
20.45-21.30

The artist will perform live website readings of a collection of her generative, browser-based work. Each featured work involves an element of “chance” programmed into its custom software, so the text read aloud will be determined in real time by the website’s code. The readings will be followed by an artist talk discussing “authenticity” online and working with websites as an artistic medium. The presentation will take place entirely in an internet browser.

Chantel Foo

Chantel Foo (they/she) is a queer Chinese-Singaporean living and working in London, UK. Working with performance and dance, they are interested in creating and researching the mediating technologies of space, perception and belonging. Some current nodes of thought are rage and spite as defiance strategies, placelessness, queer expatriation and non-linear worldbuilding.
@chanfyx @studio__lotusroot

Alex Quicho

Alex Quicho is an artist and theorist in London. Her practice incorporates critical writing, performative lectures, and moving image to focus on how emerging technologies warp social reality and vice-versa. She has collaborated with arts institutions including Singapore Art Museum, Power Station of Art Shanghai, Julia Stoschek Collection, Fondation Pernod-Ricard, Rennie Museum, Somerset House Studios and Nationalgalerie Berlin; and was a research fellow at the Weibel Institute for Digital Cultures. She studied Critical Writing at the Royal College of Art.

@amfq

Maya Man

Maya Man is an artist focused on contemporary identity culture on the internet. Her work examines dominant narratives around femininity, authenticity, and the performance of self online. She currently lives and works in New York City.

@mayaontheinternet

Taylor Digital Studio

Yehwan Song: <Can You See Me?>

Performance and installation
Performance 19.00-19.30
Installation 18.00-21.30

A user sits alone in front of a webcam and begins a monodrama. The internet becomes an invisible stage, arranging virtual seats for an unseen audience. Connected yet isolated, the user performs in a space that promises communication but delivers only distance.

Through radical, irrational, and repetitive movements and monologues, this performance reflects the alienation and emotional fragmentation of contemporary digital life. Hidden emotions - sadness, loneliness, confusion - rise to the surface, breaking through the polished, curated expressions common to online spaces. Fragmented gestures and fractured words disrupt coherence, embracing dissonance as an act of resistance.

Through simple yet visceral actions, the performance exposes the widening emotional gap between users in the digital era, where connection is simulated but rarely felt.

Story Space

Poetical Tools: Rediscover The Inner Poet Through What You Love

Workshop

18.30-19.20, 19.30-20.20, 20.30-21.20*

Khadar Mahi invites participants to explore the emotional landscape of their favourite activities - whether a daily ritual, a creative passion, or a simple comfort - through a guided meditation and free-writing exercise. This workshop reimagines "technological tools" as inner resources, helping participants uncover the poetry hidden in the way they describe what brings them joy.

No prior writing experience is needed - just an openness to introspection and play. The session blends the tranquillity of a meditation class with the creative spark of self-expression, revealing how the ordinary can become extraordinary through language.

*Each timeslot requires a free ticket. You can collect your free ticket at the Manton ticket desk from 17.45.

Khadar Mahi

Khadar Mahi explores the intersection of science and artistic expression. Passionate about innovative poetic forms, he researches and develops unconventional structures for his writing, often merging physics and mathematical concepts to illuminate emotions, humanity and daily life. His work seeks to dissolve the boundaries between academia and art, demonstrating how theoretical principles can become tools for profound creative and humanistic exploration.

Lower Rotunda

Reprezent Radio

Music
18.00-21.45

Join Reprezent Radio for an evening of DJ sets!

First floor

North Duveens

Suzannah Pettigrew: Safety Glass II

Performance and installation
Installation 18.00-21.30
Performance 18.30-19.30

Suzannah Pettigrew presents Safety Glass II, the sequel to her 2018 multimedia presentation at LUX moving image. Pettigrew will display a real-time script writing performance with an installation of screens, including new film In Sync shot at Tate Modern, and a signature photo-sculpture. The audience are encouraged to direct-message Pettigrew throughout the performance; with the potential of it being weaved into the script and projected back into the performance.

The script retraces protagonists INPUT and OUTPUT who exist in an imagined online space that is mediated by personal mythologies, collective digital practices and real encounters. Searching for answers to the age-old question; are the losses with the advancement of technology worth the gains?

Suzannah Pettigrew

Suzannah Pettigrew is an artist living and working in London. Her practice explores the implications of digital culture and technological advancements on the individual and collective psyche. She presents an evocative decoding of our encounters with screens back to the audience in photography, text, sculpture, video and performance works.

@suz_p

The Octagon

Nina Davies

Performance and installation
Installation 18.00-21.30
Performance 21.00-21.30

Nina Davies will present two performances from her series of fictional traditional dances: Bionic Step (2022) and Precursing (2023), along with her performative installation Bystander Assemble (2024). Throughout the evening, Nina’s complete collection of four video works will be on display, with performers appearing and disappearing within the space.

Davies’ recently completed body of work reimagines emerging online dance trends as if they were the traditional folk dances of the future. While many historical folk dances were tied to the tools and technologies of their time - such as weapons or agricultural instruments - Davies examines how bodies today echo the movements of contemporary devices and systems, prompting reflection on our deep state of symbiosis with technology.

Nina Davies

Nina Davies considers the present moment through observing dance in popular culture and how it is disseminated, circulated, made, and consumed. Previous research projects have included the recent commodification of the dancing body on digital platforms and rethinking dances of today as traditional dances of the future.

@influential_bro

Room 4

Romy Gad el Rab and Caroline Sinders: My Phone Doesn’t Love Me

Performance
18.00-19.00, 19.15-20.15, 20.30-21.30*

In a world of continuous partial attention, the smartphone has ceased to be a tool and instead become an extension of us. Our most private experiences - grief, joy, desire -are now mediated through a touchscreen interface, rendered as data, packaged as content. What is intimacy in the age of infinite scroll?

My Phone Doesn’t Love Me is a 1:1 performance held gently between artist and participant. Each session invites you to explore entanglements with technology: the rituals, compulsions, and contradictions that define our digital lives. Conducted by the artists, and in response to the uncanny and emotionally charged work of Ed Atkins, visitors are invited to reflect on how our digital interactions respond to love and loss, and how we might choose to do things differently to embed care or caress. Can a ‘like' console? Can care be coded? Can we choose softness over speed?

During sessions you will be invited to contribute your anonymous reflections to the artists upcoming publication Phone-Body-Complex.

*The performance will be in 10-15 minute timeslots. Each timeslot requires a free ticket. You can collect your free ticket at the Manton ticket desk from 17.45.

Romy and Caroline

Romy and Caroline are artists in collaboration since 2018 on works that centre care in a landscape of rapid technological shifts. Romy Gad el Rab is also a Psychiatrist with interests in problematic use of the internet and Caroline Sinders is an online harms researcher. Their work explores how technology impacts human cognitions and behaviours.

@romy_gad

@carolinesinders

Millbank Studio

Quiet Space

Accessibility
18.00-21.45

Do you need a room to take a break from the many activations happening in the building, and the rest of the world? We invite you to reset your senses and recharge in this quiet, access-friendly and wellness-inspired chill out space.

Tate Britain's step-free entrance is on Atterbury Street. It has automatic sliding doors and there is a ramp down to the entrance with central handrails.

  • Accessible, standard and Changing Places toilets are located on the Lower floor.
  • Ear defenders can be borrowed from the ticket desk on the Lower floor.

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Manton Entrance

Millbank
London SW1P 4RG
Plan your visit

Date & Time

16 May 2025 at 18.00–22.00

18+

Please note this event will be photographed. If you do not wish to be photographed, please collect and clearly wear a red sticker from the Manton ticket desk.

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