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Tate Modern Film

Alia Farid: Chibayish

7 October 2022 at 18.30–19.50
A water buffalo is seen submerged in a marsh.

Alia Farid, Chibayish 2022, film still. Commissioned by the Whitney Museum of American Art on the occasion of Whitney Biennial 2022: Quiet As It's Kept curated by Adrienne Edwards and David Breslin. Courtesy the artist

The artist joins us to present two recent short films engaging with different landscapes and communities based in remote regions of the Arabian Gulf

Alia Farid’s recent work examines how nature in southern Iraq has, since the advent of modernity, been mobilised as a political tool. Her new film Chibayish was recorded in the marshlands of southern Iraq, at the confluence of the Tigris and Euphrates rivers, in a region engulfed by oil infrastructure and industrial waste. It captures the artist’s exchanges with three young residents as they map the community that inhabits the marsh, and belt out calls to the buffalo that roam its waters. Mixing footage with CGI animation, Chibayish comes to explore cultural identity, history, colonialism and the right to remain.

Chibayish will be screened alongside Farid’s earlier short film At the Time of the Ebb. Filmed on the Iranian island of Qeshm, the work follows the annual celebration of Nowruz Sayadeen (Fisherman’s New Year), one of the few surviving traditions tuned to seasonal cycles.

Programme

Introduction by the artist
At the Time of the Ebb 2019, 4K video, colour, sound, 16 min, Farsi with English subtitles
Chibayish 2022, UHD video, colour, sound, 25 min, Arabic with English subtitles
Conversation with the artist

Chibayish was commissioned by Whitney Museum of American Art on the occasion of Whitney Biennial 2022: Quiet as It's Kept curated by Adrienne Edwards and David Breslin.

Alia Farid (b.1985, Puerto Rico) is an artist who lives and works between Kuwait and Puerto Rico. Through a combination of mostly film and sculpture, her work gives visibility to lesser-known histories often deliberately erased.

Filmed in the southern marshlands of Iraq with Riad Samir and Jassim and Qassim Mohammed.

Director of Photography and Co-editor: Muhammed Al Mubarak

Sound mastering: Joel Rodriguez

Colour grading: Belal Hibri

All Tate Modern entrances are step-free. You can enter via the Turbine Hall and into the Natalie Bell Building on Holland Street, or into the Blavatnik Building on Sumner street.

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There is space for wheelchairs and a hearing loop is available.

All works screened in the Starr Cinema have English captions.

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7 October 2022 at 18.30–19.50

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