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Tate Modern Talks Lectures

Art criticism in the post-medium age Boris Groys in conversation with Anna Lovatt

19 May 2014 at 19.30–21.00

Free for Members

Robert Morris, Untitled 1965, reconstructed 1971. Tate. © ARS, NY and DACS, London 2026.

  • Boris Groys
  • Anna Lovatt
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Robert Morris
Untitled (1965, reconstructed 1971)
Tate

© ARS, NY and DACS, London 2026

How has formalist and poststucturalist thinking shaped our understanding of art and art history in the 20th century? What relevance do such ideas have today, in an age where anything goes and artists work in a ‘post-medium’ world? 

Professor Boris Groys and Dr Anna Lovatt explore the work of modernist critic Clement Greenberg and his brilliant student Rosalind Krauss, considering among other things the changing role of the art critic and scholar, the continuing potency of the idea of the avant-garde, and the fate of the modernist project in the 21st century.

Boris Groys

Boris Groys is a philosopher, art critic, and curator whose research centers on modern Russian philosophy, French poststructuralism, and contemporary media. He is the Global Distinguished Professor of Russian and Slavic Studies at New York University, New York. In addition Groys is Senior Fellow for Philosophy and Media Theory at the Academy for Design (Hochschule für Gestaltung) in Karlsruhe since 1994. He co-curated with curator Qiu Zhijie Reactivation, 9th Shanghai Biennale, 2012 and was the curator of After History: Alexandre Kojève as a Photographer, BAK, basis voor actuele kunst, Utrecht, 2012 and Empty Zones, Russian Pavilion, 54th Venice Biennale, Venice, 2011. His published works include: Under Suspicion: A Phenomenology of Media (2012); Introduction to Antiphilosophy (2012); The Communist Postscript (2010); and Art Power (2008). Groys lives and works in New York.

Anna Lovatt

Anna Lovatt is Lecturer in Modern and Contemporary Art History at the University of Manchester. She has written extensively on art of the 1960s and its legacies, including essays on Trisha Donnelly, Rosalind Krauss, Sol LeWitt, Dorothea Rockburne, Anne Truitt and Ruth Vollmer. Her writing has been published in Artforum, Art History, October, Oxford Art Journal, Tate Papers and Word and Image. From August 2014, she will be the Marguerite Hoffman Scholar-in-Residence at Southern Methodist University, Dallas, Texas.

Tate Modern

Starr Cinema

Bankside
London SE1 9TG
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Date and time

19 May 2014 at 19.30–21.00

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Sol LeWitt A Wall Divided Vertically into Fifteen Equal Parts, Each with a Different Line Direction and Colour, and All Combinations 1970
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Ideas in Transmission: LeWitt’s Wall Drawings and the Question of Medium

Anna Lovatt

This article considers Sol LeWitt’s wall drawings as artworks poised on the cusp of the ‘post-medium condition’ of installation art. …

Trisha Donnelly Untitled 2010
read

Wavelength: On Drawing and Sound in the Work of Trisha Donnelly

Anna Lovatt

This article considers the relationship between drawing and sound in the work of American artist Trisha Donnelly (born 1974). Against …

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