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Tate St Ives Festival

The Last Weekend 2023

29 April 2023 at 10.00–17.20
30 April 2023 at 10.00–17.20
1 May 2023 at 10.00–17.20
Black and white photograph showing a close up of a person holding Scrabble tiles between their teeth that spell revoice

© Steve Tanner

  • Programme
  • Biographies
  • Credits
  • Accessibility
  • Related events

Join us for a celebration of hidden Cornish culture in the final weekend of Barbara Hepworth: Art & Life

The Last Weekend celebrates the exhibition Barbara Hepworth: Art & Life and its connections to Cornish culture with a three-day festival of performances, talks, workshops and more. The event celebrates Barbara Hepworth as a key figure in the local community and delves deeper into intangible Cornish Culture and heritage, shining a light on under-represented and diverse voices in Cornwall.

Programme

Throughout the three-day festival there will be a family activities and pop-up talks in the Barbara Hepworth: Art & Life exhibition and at the Barbara Hepworth Sculpture Garden and Museum.

RE:VOICE

Performance

Saturday 29 April at 14.00 and 16.00

Sunday 30 April at 14.00 and 16.00

Running time: 60mins approx

Gallery 8, Level 2

Join us for RE:VOICE – the world premiere of a new co-created participatory theatre show by Director Agnieszka Blonska, with imPOSSIBLE Producing, Choir leader Victoria Abbott and the Tuesday Night Fun Club.

The performance forms part of a major European project led by Falmouth University exploring cultural traditions in Cornwall and other regions in Europe which asked how living heritage can be made vital and resilient.

In collaboration with St Ives Community Orchard

MESKLA | Brewyon Drudh

Drop-in workshops with Sovay Berriman

Foyle Studio, Level 3

Saturday 29 April at 14.30 - 16.00

Sunday 30 April at 13.00 - 16.00

Monday 1 May at 11.00 - 16.00

MESKLA | Brewyon Drudh (Mussel Gathering | Precious Fragments) is a multi-platform art work that uses sculpture and conversation to explore contemporary Cornish cultural identity and its relationship with heritage, land, and extraction industries, including tourism and mining.

Join artist, Sovay Berriman, for drop-in rubbish sculpture-making and conversation, as part of her MESKLA project. The workshop encourages participants to join open dialogue and articulate their views through art making. Considering the networks, relationships and connections of identity and place.

Look Group Welcome

Saturday 29 April 2023

11.00-14.00

A special event for Look Group members from across Cornwall. Explore the current exhibition Barbara Hepworth: Art & Life, enjoy talks with arts specialists and connect with fellow Look Group members. Light refreshments are provided.

To book or find out more, visit the event page or email look.groups@tate.org.uk

Introduction to Slow Looking

Saturday 29 April at 15.30

Sunday 30 April at 13.30 and 15.30

Monday 1 May at 13.30 and 15.30

Be curious, take a longer look at selected artworks and participate in conversations to generate shared interpretations of them. These light-hearted sessions are inspired by Look Groups, small gatherings of people who get together regularly in their own communities, to talk about art, artists, and ideas.

In Conversation with Sovay Berriman, Agnieszka Blonska and Maria Christofordiou

Foyle Studio

Sunday 30 April at 11.00 - 12.00

Join us for a panel discussion with Sovay Berriman, creator of MESKLA, Agnieszka Blonska, Theatre Director and performer and Director of RE:VOICE and Maria Christofordiou, artist, writer and researcher around the intricacies of making in relation to identity.

This talk will be BSL interpretated.

Pass It On by Florence Browne and A Serpent’s Dance by Lucy Frears

Film screenings (on loop)

St Ives Studio, Level 2

Saturday 29 April at 10.00 - 17.00

Sunday 30 April at 10.00 - 17.00

Monday 1 May at 10.00 - 14.00

Pass It On by Florence Browne

Three young people living in minority European cultures - Cornish (UK), Frisian (Netherlands) and Livonian (Latvia) - celebrate their summers in unique ways. In a globalised world, as the tensions between tradition and the mainstream are stretched ever more tightly, vital, resilient cultures continue to practise old customs in new ways.

Directed & produced by Florence Browne

Featuring - Julija Otomere, Mayte Veenstra, Anthony Bate

Executive Producer - Denzil Monk

Dur: 21 mins

Commissioned by Screen Cornwall and Sound/Image Cinema Lab for the Re:voice project with funding from the Arts and Humanities Research Council

A Serpent’s Dance by Lucy Frears

Anyone can grab a hand to join the Serpent’s Dance that links Penzance’s traditions, local people and visitors, the town’s ancient past and its future.

Soundscape & design – Lucy Frears

Picture Editor – Marcus Cook

Original music (at end): MUHLA

Duration: 4.39

Supported by UKRI Research England through Falmouth University

Osses

On display there will be beasts and a banner are from the Glorious Company of the Egyptian House: one of the many guilds that play a role at Penzance’s Montol winter solstice celebration. Martin Cleaver makes new ‘gyptian Osses for his guild each year.

Golowan and Montol were stopped in the 1890s but have now been revived. Both Penzance festivals included guise dancing (disguised or costumed dancing). Tatters (strips of cloth) make up a part of the Oss costumes and are worn by many participants.

King for a Day by Barbara Santi

Film screening

St Ives Studio, Level 2

Monday 1 May at 15.00 - 16.00

Duration: 60mins approx

This is free but ticketed event. Visit the event page to book a ticket

King for a Day is a poetic archive-led documentary immersing us in the personal story of the people of Padstow, their ancient rituals and the challenges they face in a rapidly changing world. The tension between tradition and progress punctuates the significance of cultural identity and the relevance of folk customs in our globalised society. Will this be the last generation to tease the ‘Old Oss’ from his stable to welcome the Summer?

King for a Day is a story about friendship, hope, celebration and unity.

Funded by Heritage Lottery, Arts Council England, UK Film Council, Feast Cornwall, and Cultivator Cornwall. King for a Day is being distributed by the distinguished DER in the USA, who champion underrepresented voices, and inspires understanding about people, cultures, and identities of the world.

Sovay Berriman

Sovay Berriman’s work is rooted in their experience of being Cornish, their culture’s shifting identity, and the mutability yet power of a sense of place. Evolution, domestic and industrial use of the natural environment, alongside performance platforms and dance floors, inform the abstract and semi-fantastical sculptural structures and events they build.

Sovay has exhibited & worked with organisations such as the Contemporary Art Society, Spike Island, Exeter Phoenix, The Harris - Preston; and with commercial galleries such as WORK|PROJECTS - Bristol, Pi-ArtWorks - London/Istanbul, & Robin Gibson - Sydney.

In 2015 they trained as a plumbing and heating engineer and work in the construction industry alongside their art activity. Their experiences in this line of work have developed the critical socio-economic and political aspects of their practice, particularly in relation to environment, care and the labour of making. They have a studio at Krowji, Redruth, Cornwall.

Agnieszka Blonksa

Agnieszka has worked in Britain, Poland and across Europe for the last nineteen years both as an independent artist and in collaboration with theatre companies and venues such as Wildworks, Powszechny Theatre, Theatre Institute in Warsaw, Desperate Men, DotComedy, Mercurial Wrestler, National Theatre Studio, Soho Theatre, Circomedia, Hall For Cornwall, Theatre Bristol and imPOSSIBLE.

Recent productions include: We’ve Been Here (online), Devils (Teatr Powszechny), Mefisto (Teatr Powszechny), Polish Vermin (Bristol Old Vic Ferment and Newlyn Art Gallery).

Agnieszka also works as a senior lecturer at Falmouth University. In her practice Agnieszka is particularly interested in subjects of identity, social change and personal stories in relation to society. She uses a variety of forms including participatory and performative theatre exploring the boundaries of traditional drama and play.

Florence Browne

Florence Browne is a documentary filmmaker from Wales. She is committed to using film as a tool for sharing underrepresented perspectives and changing the way we see the world. Following an MA in ethnographic filmmaking (UCL), for five years she’s worked with communities to create films, exhibitions and programmes for radio which reflect life and identity in Cornwall and the Southwest. Usually shooting alone, her work and approach is intimate and gives space for people to tell their stories at their own pace. ‘Agan Geryow Yw Kana Hwath’, broadcast in 2020 for BBC Arts, explored young people’s relationship with the Cornish language. In 2021 she worked with Bosena and the National Trust to produce her ACE-funded archive film and exhibition on the Cornish singer Brenda Wootton, ‘Mordonnow’, and in 2022 her film/photography project on farming and mental health, ‘Stories of a Changing Landscape’, was hosted for a 3-month run in Swansea Museum in collaboration with photographer Callum Baker.

Maria Christoforidou

Maria Christoforidou is an Afro-Greek artist, writer and researcher. Her practice in various (collaborative1 or solitary) iterations examines how myths, metaphors and fictions (in words or images) produce realities and identities. She is motivated by a hope to create pauses that allow minor voices of sameness, help animal and plant bodies to evade classification, come to rest, undoing unspeakable knots of otherness. Maria is part of Surplus Cinema, an itinerant gathering of diasporic artists, working within the context of Greece and its intertwining diasporas. Surplus Cinema presented a 3-day programme of screenings, public discussions, mistress class and workshop in Beursschouwburg art centre, Brussels. Her video poem, ΜΑΛΘΑ: The Thrice Burnt Archives of Unreliable Prophecies, was presented in the Almanac of Transmediale 2021-22. Maria lives and works in Cornwall and Athens.

Lucy Frears

Dr Lucy Frears' practice-based research on Locative Media includes immersive sound, memories, phenomenology and intangible heritage. The book (3rd edition 2020) and app (2014) based on research around a community oral history project have both won awards. Lucy was the Cornwall Film Festival Director (2005), the Artist Residency Manager at Porthmeor Studios - the oldest continually used artist studios in Britain (2017-2020) and is a member of WAN, the Walking Arts Network

Barbara Santi

Barbara Santi is an award-winning documentary filmmaker and is co-director / co-founder of awen productions based in west Cornwall. At the heart of Barbara’s work is raising under-represented voices through film. She’s made documentaries for Channel 4, Carlton TV and shown her films on Reel Stories, FourDocs, Current TV, The Community Channel and galleries, museums, conferences and film festivals.

Her work focuses on filmmaking for positive social change, the recent documentary, No Holds Barred – The Life and Art of Matthew Lanyon won ‘Best Documentary’ at New Renaissance Film Festival, Amsterdam (2021) and selected at Fine Arts Film Festival, California, Beyond the Curve International Film Festival, Paris and Celtic Media Festival.

In 2020, Barbara was selected to take part in Creative England’s Female Founders programme.

Barbara’s interest in collaborative film,  around place, identity and culture culminated into a film-by-practice PhD at Exeter University (completed in 2023). The documentary, King for a Day, was the focus of the study.

RE:VOICE Credits

Choir: Tuesday Night Fun Club

And Wilkey
Brenda Loader
Claire Bradley
Ellie Moseley
Emily Faulkner
Fi Read
Fran Driscoll
Helen Burgess
Jilly Hellerman
Judith Kerr
Hannah Bullock
Lesley Billingham
Mary Ann Bloomfield
Paula Fairweather
Penny Monger
Prue Rhys-Box
Rachel Gregory
Sarah Jane Andrewartha
Suze White
Tiina McCreedy
Flo Puddifoot
Jan Kirman
Karen Pirie
Claud Tonietto
Tasha Otto
Darcey Ball
Lucy Birbeck
Julia Cottam
Julie Macara
Maria McEwen
Kia Lucas
Sarah Williams
Eggy Ray

Director; Agnieszka Blonska

Composer & Choir Leader; Victoria Abbott

Choreographer; Jennifer Fletcher

Creative Producer; Charlie Bunker

Video & Lighting Design; Joshua Pharo

Technician/Stage Manager; Louis King

Technical support from AMATA, Falmouth University; Pete Hooper

Maker of the Golowan head sculpture; Graham Jobbins

Composer of the final song; Julia Macara

Made possible with funding support from Falmouth University, Feast and Arts Council England

Produced by Impossible Producing

Tate St Ives is located on Porthmeor Beach. There is a ramp up to the gallery entrance alongside stairs with a handrail.

There are lifts to all Levels of the gallery, or alternatively you can take the stairs.

  • Accessible and standard toilets are on Level 3, next to Gallery 6.
  • A Changing Places toilet is on Level 3, next to Gallery 1.
  • Ear defenders can be borrowed from the information desk.

To help plan your visit to Tate St Ives, have a look at our visual story. It includes photographs and information of what you can expect from a visit to the gallery.

For more information before your visit:

  • Email visiting.stives@tate.org.uk
  • Call +44 (0)173 679 6226
Check all Tate St Ives accessibility information

Tate St Ives

Porthmeor Beach
St Ives
Cornwall TR26 1TG
Plan your visit

Dates

29 April 2023 at 10.00–17.20

30 April 2023 at 10.00–17.20

1 May 2023 at 10.00–17.20

A gallery admission ticket, Tate Membership or Local's Pass is required to attend this event.

Supported by

Arts Council England

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