Skip navigation

Main menu

  • What's on
  • Art & Artists
    • The Collection
      Artists
      Artworks
      Art by theme
      Media
      Videos
      Podcasts
      Short articles
      Learning
      Schools
      Art Terms
      Tate Research
      Art Making
      Create like an artist
      Kids art activities
      Tate Draw game
  • Visit
  • Shop
Become a Member
  • DISCOVER ART
  • ARTISTS A-Z
  • ARTWORK SEARCH
  • ART BY THEME
  • VIDEOS
  • ART TERMS
  • SCHOOLS
  • TATE KIDS
  • RESEARCH
  • Tate Britain
    Tate Britain Free admission
  • Tate Modern
    Tate Modern Free admission
  • Tate Liverpool + RIBA North
    Tate Liverpool + RIBA North Free admission
  • Tate St Ives
    Tate St Ives Ticket or membership card required
  • FAMILIES
  • ACCESSIBILITY
  • SCHOOLS
  • PRIVATE TOURS
Tate Logo
Become a Member
  • Art and Artists
  • Tate Archive
  • Collections of Digitised Archive Items
  • Personal papers of Duncan Grant
  • Correspondence
  • Letters from Vanessa Bell to Duncan Grant
  • Letter from Vanessa Bell to Duncan Grant

Vanessa Bell, recipient: Duncan Grant

Letter from Vanessa Bell to Duncan Grant

[26 July 1939]

Page 1

Created by
Vanessa Bell 1879–1961
Recipient
Duncan Grant 1885–1978
Date
[26 July 1939]
Show details

© The estate of Vanessa Bell courtesy of Henrietta Garnett

License this image

In Tate Britain

Library and Archive Reading Rooms

View by appointment
Created by
Vanessa Bell 1879–1961
Recipient
Duncan Grant 1885–1978
Title
Letter from Vanessa Bell to Duncan Grant
Date
[26 July 1939]
Format
Document - correspondence
Collection
Tate Archive
Acquisition
Presented to Tate Archive by Henrietta Garnett, May 2007.
Reference
TGA 20078/1/44/210

Description

Letter from Vanessa Bell, Charleston, Firle, East Sussex, to Duncan Grant, London. She describes the removal to Charleston of furniture and paintings from their Fitzroy Street studios which they are sub-letting. Items included Grant's 'Blue nude with flute' [c. 1914-1915], featuring a nude Marjorie Strachey), 'Vanessa Bell' (1917), and a male nude, possibly 'Standing male nude' (c. 1935). Angelica has been painting a still life. Also mentions Quentin Bell and Walter Higgens ('the D[olt]'). Item also includes : a list of errands on 8 Fitzroy Street headed paper, referring to pictures belonging to Helen (?Anrep) and Goodman; a receipt from Joseph May Ltd, removal company; a rough plan in pencil of a house, possibly Charleston; a letter to Grant from H., possibly a writer, 21 Grand Parade, Brighton (23 July); and a drawing of a female nude, probably by Grant.

Read more

London Group Euston Road School Post-Impressionism Bloomsbury Group

Archive context

  • Personal papers of Duncan Grant TGA 20078 (234)
    • Correspondence TGA 20078/1 (234)
      • Letters from Vanessa Bell to Duncan Grant TGA 20078/1/44 (234)
        • Letter from Vanessa Bell to Duncan Grant TGA 20078/1/44/210
Artwork
Close

Join in

  • Twitter
  • Facebook
  • YouTube
  • Instagram
  • Pinterest
Sign up to emails

Sign up to emails

This site is protected by reCAPTCHA and the Google Privacy Policy and Terms of Service apply.

Tate’s privacy policy

About

  • About us
  • Our collection
  • Terms and copyright
  • Governance
  • Picture library
  • ARTIST ROOMS
  • Tate Kids

Support

  • Tate Collective
  • Members
  • Patrons
  • Donate
  • Corporate
  • My account
  • Press
  • Jobs
  • Accessibility
  • Privacy
  • Cookies
  • Contact
© The Board of Trustees of the Tate Gallery, 2025
All rights reserved