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  • Forty one sketches, prints and one unfinished oil painting by Dorothy Brett

Forty one sketches, prints and one unfinished oil painting by Dorothy Brett

[c.1910s–1920s]

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Dorothy Brett was a British painter, who studied at the Slade School of Art, associating with Dora Carrington, Barbara Hiles and the Bloomsbury group, from 1910 until 1916. She became known by her surname only and like Carrington and Hiles, she had her hair cut short (for the time) in a style that led Virginia Woolf to call them 'cropheads'. Through fellow student Mark Gertler, she met Lady Ottoline Morrell and began mixing in an artistic and literary circle that included Clive Bell, Bertrand Russell, D. H. Lawrence, Virginia Woolf, Augustus John, Aldous Huxley, and George Bernard Shaw. She became particularly close to Lawrence and his circle, who after visiting Taos, New Mexico for the first time in 1923 returned to London, where he held a dinner party at the Cafe Royal (which he called "The Last Supper"). There he tried to recruit friends to move to Taos in order "to create a utopian society he called 'Rananim'". While almost all who attended had "agreed to follow Lawrence to New Mexico....when it came to the actual packing for departure, there was only one recruit - the Honorable Dorothy Brett". Brett remained there for the rest of her life, becoming an American citizen in 1938. These 41 sketches and prints were completed by Brett while a student at the Slade School of Art. Most of the works depict studies of male and female nudes, but there are also several self-portraits, and prints and sketches showing biblical and fantastical scenes.

Collection Owner
The Hon. Dorothy Brett 1883–1977
Collection
Tate Archive
Acquisition
Purchased from Alan Cowie, London, 2017
Reference
TGA 20188

41 objects in this collection

  • Forty one sketches, prints and one unfinished oil painting by Dorothy Brett

    41 Objects

    • Forty one sketches and prints by Dorothy Brett

      41 Objects

Title
Forty one sketches, prints and one unfinished oil painting by Dorothy Brett
Date
[c.1910s–1920s]
Description
Dorothy Brett was a British painter, who studied at the Slade School of Art, associating with Dora Carrington, Barbara Hiles and the Bloomsbury group, from 1910 until 1916. She became known by her surname only and like Carrington and Hiles, she had her hair cut short (for the time) in a style that led Virginia Woolf to call them 'cropheads'. Through fellow student Mark Gertler, she met Lady Ottoline Morrell and began mixing in an artistic and literary circle that included Clive Bell, Bertrand Russell, D. H. Lawrence, Virginia Woolf, Augustus John, Aldous Huxley, and George Bernard Shaw. She became particularly close to Lawrence and his circle, who after visiting Taos, New Mexico for the first time in 1923 returned to London, where he held a dinner party at the Cafe Royal (which he called "The Last Supper"). There he tried to recruit friends to move to Taos in order "to create a utopian society he called 'Rananim'". While almost all who attended had "agreed to follow Lawrence to New Mexico....when it came to the actual packing for departure, there was only one recruit - the Honorable Dorothy Brett". Brett remained there for the rest of her life, becoming an American citizen in 1938. These 41 sketches and prints were completed by Brett while a student at the Slade School of Art. Most of the works depict studies of male and female nudes, but there are also several self-portraits, and prints and sketches showing biblical and fantastical scenes.
Reference
TGA 20188

Showing 21–40 of 41 objects

Two studies of a reclining female nude

The Hon. Dorothy Brett
[c.1910–20]
View by appointment

Sketch of a female nude leaning on an armchair

The Hon. Dorothy Brett
[c.1910–20]
View by appointment

Sketch of a female nude leaning on the back of an armchair and a study of a female nude seated in an armchair, on the reverse

The Hon. Dorothy Brett
[c.1910–20]
View by appointment

Portrait sketch of a girl

The Hon. Dorothy Brett
[c.1910–20]
View by appointment

Sketch of a male subject seated in an armchair reading a book

The Hon. Dorothy Brett
[c.1910–20]
View by appointment

Lithograph of a female nude

The Hon. Dorothy Brett
[c.1910–20]
View by appointment

Lithograph of a female nude seated in an armchair

The Hon. Dorothy Brett
[c.1910–20]
View by appointment

Sketch of female nude figures in various poses

The Hon. Dorothy Brett
[c.1910–20]
View by appointment

Lithograph of a reclining female nude

The Hon. Dorothy Brett
[c.1910–20]
View by appointment

Sketch of a female nude reclining on a bed

The Hon. Dorothy Brett
[c.1910–20]
View by appointment

Sketch of a man singing at a grand piano

The Hon. Dorothy Brett
[c.1910–20]
View by appointment

Two studies of a female nude and a study of a female nude seen from behind

The Hon. Dorothy Brett
[c.1910–20]
View by appointment

Study of a female nude seated on an armchair

The Hon. Dorothy Brett
[c.1910–20]
View by appointment

Study of a standing nude figure

The Hon. Dorothy Brett
[c.1910–20]
View by appointment

Sketch of a table laden with objects and fruit

The Hon. Dorothy Brett
1921
View by appointment

Sketch of a reclining female nude

The Hon. Dorothy Brett
[c.1910–20]
View by appointment

Sketch of a female nude seated on a sofa

The Hon. Dorothy Brett
1921
View by appointment

Sketch of a reclining female nude

The Hon. Dorothy Brett
[c.1910–20]
View by appointment

Sketch of a reclining female nude

The Hon. Dorothy Brett
1922
View by appointment

Sketch of a reclining female nude

The Hon. Dorothy Brett
1922
View by appointment
Artwork
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