Emily Mary Osborn

1828–1925

Emily Mary Osborn, ‘Nameless and Friendless. “The rich man’s wealth is his strong city, etc.” - Proverbs, x, 15’ 1857
Nameless and Friendless. “The rich man’s wealth is his strong city, etc.” - Proverbs, x, 15 1857
License this image
In Tate Britain

Walk Through British Art: 1840

Free entry

Biography

Emily Mary Osborn (1828–1925), or Osborne, was an English painter of the Victorian era. She was best known for her pictures of children and her genre paintings, especially on themes of women in distress.

This biography is from Wikipedia under an Attribution-ShareAlike Creative Commons License. Spotted a problem? Let us know.

Read full Wikipedia entry

Artworks

Emily Mary Osborn, ‘Nameless and Friendless. “The rich man’s wealth is his strong city, etc.” - Proverbs, x, 15’ 1857

Emily Mary Osborn Nameless and Friendless. “The rich man’s wealth is his strong city, etc.” - Proverbs, x, 15

1857
On display at Tate Britain part of Walk Through British Art T12936

Features

Jo Spence, ‘The Highest Product of Capitalism (after John Heartfield)’ 1979
In the Gallery

Women and Power: A walk through Tate Britain

Explore stories of women’s empowerment across the centuries through works in our collection

Emily Mary Osborn, ‘Nameless and Friendless. “The rich man’s wealth is his strong city, etc.” - Proverbs, x, 15’ 1857
Tate Etc

Up close and personal: Tate Britain New Displays II

Amanda Delew , Pen Hadow , Chris Stephens , Peter Peri and Michael Bracewell

Tate Britain’s recent rehang, which follows a broadly chronological sequence, includes focused individual displays that highlight new research as ...

You might like

William Maw Egley, ‘Omnibus Life in London’ 1859

William Maw Egley

1826–1916
Abraham Solomon, ‘Waiting for the Verdict’ 1857

Abraham Solomon

1824–1862
James Campbell, ‘The Lollipop’ 1855

James Campbell

1828–1893
James Collinson, ‘Home Again’ 1856

James Collinson

1825–1881
James Turpin Hart, ‘A Rustic Timepiece’ 1856

James Turpin Hart

1835–1899
Augustus Leopold Egg, ‘Past and Present, No. 1’ 1858

Augustus Leopold Egg

1816–1863
John Phillip, ‘The Prison Window’ 1857

John Phillip

1817–1867
Frank Holl, ‘Hush!’ 1877

Frank Holl

1845–1888
Frederick Walker, ‘The Woman in White’ 1871

Frederick Walker

1840–1875
Thomas Faed, ‘Faults on Both Sides’ 1861

Thomas Faed

1826–1900
Briton Riviere, ‘Sympathy’ c.1878

Briton Riviere

1840–1920
Joanna Mary Wells, ‘Portrait of Sidney Wells’ 1859

Joanna Mary Wells

1831–1861
Thomas Benjamin Kennington, ‘Orphans’ 1885

Thomas Benjamin Kennington

1856–1916
Robert Braithwaite Martineau, ‘The Last Day in the Old Home’ 1862

Robert Braithwaite Martineau

1826–1869
William Gale, ‘The Confidante’ 1857

William Gale

1823–1909