George Romney

1734–1802

George Romney, ‘Emma Hart as Circe’ c.1782
Emma Hart as Circe c.1782
License this image
In Tate Britain

Walk Through British Art

Free entry
In Tate Britain

Prints and Drawings Rooms

View by Appointment

Biography

George Romney (26 December 1734 – 15 November 1802) was an English portrait painter. He was the most fashionable artist of his day, painting many leading society figures – including his artistic muse, Emma Hamilton, mistress of Lord Nelson.

This biography is from Wikipedia under an Attribution-ShareAlike Creative Commons License. Spotted a problem? Let us know.

Read full Wikipedia entry
Fancy picture

Artworks

George Romney, ‘Emma Hart as Circe’ c.1782

George Romney Emma Hart as Circe

c.1782
N05591
George Romney, ‘Mr and Mrs William Lindow’ 1772

George Romney Mr and Mrs William Lindow

1772
N01396
George Romney, ‘William Pitt the Younger’ ?c.1783

George Romney William Pitt the Younger

?c.1783
N02280
George Romney, ‘The Beaumont Family’ 1777–9

George Romney The Beaumont Family

1777–9
N03400
George Romney, ‘Lady Hamilton (?as a Figure in ‘Fortune Telling’)’ c.1782–4

George Romney Lady Hamilton (?as a Figure in ‘Fortune Telling’)

c.1782–4
N00312
George Romney, ‘Lady Hamilton as Cassandra’ c.1785–6

George Romney Lady Hamilton as Cassandra

c.1785–6
N01668
George Romney, ‘Mrs Johnstone and her Son (?)’ c.1775–80

George Romney Mrs Johnstone and her Son (?)

c.1775–80
On display at Tate Britain part of Walk Through British Art N01667
George Romney, ‘Mrs Robert Trotter of Bush’ 1788–9

George Romney Mrs Robert Trotter of Bush

1788–9
N02943
See all 26

Features

Tate Etc

Thy hand, by Nature guided, marks the line – That stamps perfection on the form divine

Paula Byrne

Joshua Reynolds
Henry Fuseli, ‘Percival Delivering Belisane from the Enchantment of Urma’ exhibited 1783
Tate Papers

Gothic Romance and the Quixotic Hero:A Pageant for Henry Fuseli in 1783

Martin Myrone

Henry Fuseli (1741–1825) was one of the most inventive artists of his age, exploring the strange and fantastic in ...

You might like

Sir Joshua Reynolds, ‘The Age of Innocence’ ?1788

Sir Joshua Reynolds

1723–1792
Johan Zoffany, ‘Colonel Mordaunt’s Cock Match’ c.1784–6

Johan Zoffany

1733–1810
Daniel Gardner, ‘The Wife and Children of John Moore, Archbishop of Canterbury, 1783-1805’ 1780

Daniel Gardner

1750–1805
James Barry, ‘King Lear Weeping over the Dead Body of Cordelia’ 1786–8

James Barry

1741–1806
Henry Fuseli, ‘Lady Macbeth Seizing the Daggers’ ?exhibited 1812

Henry Fuseli

1741–1825
Benjamin West, ‘Pylades and Orestes Brought as Victims before Iphigenia’ 1766

Benjamin West

1738–1820
John Hamilton Mortimer, ‘Sir Arthegal, the Knight of Justice, with Talus, the Iron Man (from Spenser’s ‘Faerie Queene’)’ exhibited 1778

John Hamilton Mortimer

1740–1779
Arthur Devis, ‘The James Family’ 1751

Arthur Devis

1711–1787
Francis Cotes, ‘Portrait of a Lady’ 1768

Francis Cotes

1726–1770
Henry Walton, ‘A Girl Buying a Ballad’ exhibited 1778

Henry Walton

1746–1813
Joseph Wright of Derby, ‘Vesuvius in Eruption, with a View over the Islands in the Bay of Naples’ c.1776–80

Joseph Wright of Derby

1734–1797
Sir Henry Raeburn, ‘Lieut-Colonel Bryce McMurdo’ c.1800–10

Sir Henry Raeburn

1756–1823

Robert Smirke

1752–1845
Sir Nathaniel Dance-Holland, ‘The Meeting of Dido and Aeneas’ exhibited 1766

Sir Nathaniel Dance-Holland

1735–1811

William Hamilton

1751–1801