Jean Arp (Hans Arp)

1886–1966

Jean Arp (Hans Arp), ‘According to the Laws of Chance’ 1933 — According to the Laws of Chance 1933
© DACS, 2019
License this image

Biography

Jean Arp or Hans Arp (16 September 1886 – 7 June 1966) was a German-French sculptor, painter, poet, and abstract artist in other media such as torn and pasted paper.

This biography is from Wikipedia under an Attribution-ShareAlike Creative Commons License. Spotted a problem? Let us know.

Read full Wikipedia entry

Artworks

Jean Arp (Hans Arp), ‘According to the Laws of Chance’ 1933

Jean Arp (Hans Arp) According to the Laws of Chance

1933

T05005

Jean Arp (Hans Arp), ‘Constellation According to the Laws of Chance’ c.1930

Jean Arp (Hans Arp) Constellation According to the Laws of Chance

c.1930

T00242

Jean Arp (Hans Arp), ‘Sculpture to be Lost in the Forest’ 1932, cast c.1953–8

Jean Arp (Hans Arp) Sculpture to be Lost in the Forest

1932, cast c.1953–8

T04854

Jean Arp (Hans Arp), ‘Pagoda Fruit’ 1949

Jean Arp (Hans Arp) Pagoda Fruit

1949

N06025

Jean Arp (Hans Arp), ‘Torn-Up Woodcut’ 1920–54

Jean Arp (Hans Arp) Torn-Up Woodcut

1920–54

T01219

Jean Arp (Hans Arp), ‘Moustaches’ c.1925

Jean Arp (Hans Arp) Moustaches

c.1925

T05504

Jean Arp (Hans Arp), ‘Winged Being’ 1961

Jean Arp (Hans Arp) Winged Being

1961

T02007

Jean Arp (Hans Arp), ‘Danger of Death’ 1954

Jean Arp (Hans Arp) Danger of Death

1954

T05007

Artist as subject

Hans Bellmer, ‘Portrait of Jean Arp’ 1957

Hans Bellmer Portrait of Jean Arp

1957

T05008

Dame Barbara Hepworth, ‘Volume of sculpture records’ 1934

Dame Barbara Hepworth Volume of sculpture records

1934

View by appointment TGA 7247/7

Eileen Agar, Andrew Lambirth, ‘Typewritten lecture entitled ‘Surrealism in England in the 1930s’ given by Andrew Lambirth and Eileen Agar at the Royal College of Art’ [1988]

Eileen Agar, Andrew Lambirth Typewritten lecture entitled ‘Surrealism in England in the 1930s’ given by Andrew Lambirth and Eileen Agar at the Royal College of Art

[1988]

View by appointment TGA 9222/2/3/3

Edith “Wanty” Thomas, recipients: Eve Schwitters, Ernst Schwitters Letter to Eve and Ernst Schwitters from Edith Thomas (‘Wanty’)

date not known

TGA 9510/3/1/28

Sidney Janis Gallery, ‘Leaflet for an exhibition entitled, ‘Selection of French Art’ at the Sidney Janis Gallery’ 1955

Sidney Janis Gallery Leaflet for an exhibition entitled, ‘Selection of French Art’ at the Sidney Janis Gallery

1955

TGA 9510/4/6/6

Ernst Schwitters, recipients: Kurt Schwitters, Edith “Wanty” Thomas, ‘Letter from Ernst Schwitters to Kurt Schwitters and Edith Thomas (‘Wanty’) about his financial troubles, photography and his Kurt Schwitters’ health’ 23 November 1947

Ernst Schwitters, recipients: Kurt Schwitters, Edith “Wanty” Thomas Letter from Ernst Schwitters to Kurt Schwitters and Edith Thomas (‘Wanty’) about his financial troubles, photography and his Kurt Schwitters’ health

23 November 1947

TGA 9510/3/3/25

Marguerite Hagenbach, recipient: Edith “Wanty” Thomas, ‘Letter from M. Hagenbach to Edith Thomas about Schwitters’ work in Switzerland’ 14 April 1948

Marguerite Hagenbach, recipient: Edith “Wanty” Thomas Letter from M. Hagenbach to Edith Thomas about Schwitters’ work in Switzerland

14 April 1948

TGA 9510/3/1/24

Marguerite Hagenbach, recipient: Edith “Wanty” Thomas, ‘Letter to Edith Thomas from Marguerite Hagenbach regarding Schwitters’ work in Switzerland’ 9 February 1948

Marguerite Hagenbach, recipient: Edith “Wanty” Thomas Letter to Edith Thomas from Marguerite Hagenbach regarding Schwitters’ work in Switzerland

9 February 1948

TGA 9510/3/1/29

Ben Nicholson OM, ‘Copy of extracts from letters sent to Norman Reid, Ronald Alley and ‘BR’’ 21 October 1956–4 December 1968

Ben Nicholson OM Copy of extracts from letters sent to Norman Reid, Ronald Alley and ‘BR’

21 October 1956–4 December 1968

View by appointment TGA 8717/3/1/26

Features

Raoul Hausmann, ‘The Art Critic’ 1919–20

Art Term

Dada

Dada was an art movement formed during the First World War in Zurich in negative reaction to the horrors and ...

Digital image of a portrait of Marlow Moss standing by a direction post

Tate Etc

The lonely radical: Marlow Moss at Tate St Ives

Lucy Howarth

At one stage the British artist Marlow Moss was at the heart of the European avant-garde, living in Paris where ...

Francois Morellet and Ellsworth Kelly in New York 1968 two men speaking in the street

Tate Etc

65, 38, 21, 4, 72...: Colour Chart III

François Morellet

How Random Distribution of 40,000 Squares using the odd and even numbers of a Telephone Directory 1960 came into being

You might like

Kurt Schwitters, ‘Opened by Customs’ 1937–8

Kurt Schwitters

1887–1948

Max Ernst, ‘Celebes’ 1921

Max Ernst

1891–1976

Alberto Giacometti, ‘Man Pointing’ 1947

Alberto Giacometti

1901–1966

Joan Miró, ‘Painting’ 1927

Joan Miró

1893–1983

Naum Gabo, ‘Head No. 2’ 1916, enlarged version 1964

Naum Gabo

1890–1977

Ben Nicholson OM, ‘1934 (relief)’ 1934

Ben Nicholson OM

1894–1982

Alexander Calder, ‘Mobile’ c.1932

Alexander Calder

1898–1976

Hans Bellmer, ‘The Doll’ c.1936

Hans Bellmer

1902–1975

Man Ray, ‘Cadeau’ 1921, editioned replica 1972

Man Ray

1890–1976

Dame Barbara Hepworth, ‘Pelagos’ 1946

Dame Barbara Hepworth

1903–1975

Jacques Lipchitz, ‘Sculpture’ 1915–16

Jacques Lipchitz

1891–1973

Francis Picabia, ‘Otaïti’ 1930

Francis Picabia

1879–1953

Henri Laurens, ‘Head of a Young Girl’ 1920

Henri Laurens

1885–1954

Eileen Agar, ‘Angel of Anarchy’ 1936–40

Eileen Agar

1899–1991

André Masson, ‘Ibdes in Aragon’ 1935

André Masson

1896–1987