Liliane Lijn (born 1939), is an American-born artist who was the first woman artist to work with kinetic text (Poem Machines), exploring both light and text as early as 1962; and in addition, she is in all likelihood the first woman artist to have exhibited a work incorporating an electric motor. She has lived in London since 1966.
Utilising highly original combinations of industrial materials and artistic processes, Lijn is recognised for pioneering the interaction of art, science, technology, eastern philosophy and female mythology. Lijn is particularly known for her timeless, cone-shaped Koan series. In conversation with Fluxus artist and writer, Charles Dreyfus, Lijn stated that she primarily chose to ‘see the world in terms of light and energy’. Lijn describes her work as ‘A constant dialogue between opposites, my sculptures use light and motion to transform themselves from solid to void, opaque to transparent, formal to organic.’