Wood being shaped following steaming in Matthew Perry's studioPhoto: Martin Sherman and Christopher Perry
Wood being twisted as part of the construction of Slippery When Wet 2004Photo: Martin Sherman and Christopher Perry
'He wants to put things together in a certain way, and I go away and make a vocabulary for him to work with'. Matthew Perry, long-term collaborator of British sculptor Richard Deacon, reveals the methods he's devised over their thirty-year relationship to manipulate materials
Wood being shaped following steaming in Matthew Perry's studioPhoto: Martin Sherman and Christopher Perry
Wood being twisted as part of the construction of Slippery When Wet 2004Photo: Martin Sherman and Christopher Perry
The leading British sculptor Richard Deacon (born 1949), who first gained international prominence in the early 1980s, is the subject of an important retrospective at Tate Britain. His work in many media – steel, foam, rubber, chrome, leather, marble, as well as drawings – shows a lifelong interest in the potential of his materials to reflect his fascination for communication through form. Here, he talks about his influences – from toys and mathematics to caves, carved Buddhas and Donald Judd
In February 2014, Tate Britain presents a major retrospective of the work of Turner Prize winner Richard Deacon