In Tate Britain

Biography

Robert Peake the Elder (c. 1551–1619) was an English painter active in the later part of Elizabeth I's reign and for most of the reign of James I. In 1604, he was appointed picture maker to the heir to the throne, Prince Henry; and in 1607, serjeant-painter to King James I – a post he shared with John De Critz. Peake is often called "the elder", to distinguish him from his son, the painter and print seller William Peake (c. 1580–1639) and from his grandson, Sir Robert Peake (c. 1605–67), who followed his father into the family print-selling business.

Peake was the only English-born painter of a group of four artists whose workshops were closely connected. The others were De Critz, Marcus Gheeraerts the Younger, and the miniature painter Isaac Oliver. Between 1590 and about 1625, they specialised in brilliantly coloured, full-length "costume pieces" that are unique to England at this time. It is not always possible to attribute authorship between Peake, De Critz, Gheeraerts and their assistants with certainty.

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Artworks

Attributed to Robert Peake Lady Elizabeth Pope

c.1615

Film and audio

MixTate: Helena Hauff on Robert Peake

For the eighth in our series of mixes, DJ and producer Helena Hauff takes inspiration from Robert Peake's Lady Anne ...

Features

Essay

Lady Anne Pope c.1615: By Robert Peake

Rica Jones and Joyce H. Townsend

Read technical information about this painting resulting from examination and scientific analysis by conservators and conservation scientists at Tate

Tate Etc

Robert Peake's Lady Anne Pope 1615: Tate Britain Rehang

Rose Wylie

Tate Etc. invited a selection of contemporary artists featured in the new rehang of British art at Tate Britain to ...

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