Sol LeWitt

1928–2007

Sol LeWitt, ‘Wall Drawing #1136’ 2004
Wall Drawing #1136 2004
© The estate of Sol LeWitt
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In Tate Britain

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Biography

Solomon "Sol" LeWitt (September 9, 1928 – April 8, 2007) was an American artist linked to various movements, including Conceptual art and Minimalism.

LeWitt came to fame in the late 1960s with his wall drawings and "structures" (a term he preferred instead of "sculptures") but was prolific in a wide range of media including drawing, printmaking, photography, painting, installation, and artist's books. He has been the subject of hundreds of solo exhibitions in museums and galleries around the world since 1965.

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Conceptual art Minimalism

Artworks

Sol LeWitt, ‘Wall Drawing #1136’ 2004

Sol LeWitt Wall Drawing #1136

2004
AR00165
Sol LeWitt, ‘Two Open Modular Cubes/Half-Off’ 1972

Sol LeWitt Two Open Modular Cubes/Half-Off

1972
T01865
Sol LeWitt, ‘A Wall Divided Vertically into Fifteen Equal Parts, Each with a Different Line Direction and Colour, and All Combinations’ 1970

Sol LeWitt A Wall Divided Vertically into Fifteen Equal Parts, Each with a Different Line Direction and Colour, and All Combinations

1970
T01766
Sol LeWitt, ‘Five Open Geometric Structures’ 1979

Sol LeWitt Five Open Geometric Structures

1979
T07144
Sol LeWitt, ‘Six Geometric Figures (+ Two) (Wall Drawings)’ 1980–1

Sol LeWitt Six Geometric Figures (+ Two) (Wall Drawings)

1980–1
T03100
Sol LeWitt, ‘[no title]’ 1971

Sol LeWitt [no title]

1971
P07065
Sol LeWitt, ‘[no title]’ 1982

Sol LeWitt [no title]

1982
P77014
Sol LeWitt, ‘A Square Divided Horizontally and Vertically into Four Equal Parts, Each with a Different Direction of Alternating Parallel Bands of Lines’ 1982

Sol LeWitt A Square Divided Horizontally and Vertically into Four Equal Parts, Each with a Different Direction of Alternating Parallel Bands of Lines

1982
P77013
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Film and audio

ARTIST ROOMS Sol LeWitt - Turner Contemporary, Margate thumbnail
Watch

ARTIST ROOMS Sol LeWitt - Turner Contemporary, Margate

Sol LeWitt's Wall Drawing #1136 was installed across two walls of Turner Contemporary's Clore Learning Centre as part ...
TateShots

Sol Lewitt: Studio Visit

A rare opportunity to see Sol Lewitt's studio in Connecticut, USA

Features

Robert Morris, ‘Untitled’ 1965, reconstructed 1971
Art Term

Minimalism

Minimalism is an extreme form of abstract art developed in the USA in the 1960s and typified by artworks composed ...

Kazimir Malevich, ‘Dynamic Suprematism’ 1915 or 1916
Art Term

Non-objective art

Non-objective art defines a type of abstract art that is usually, but not always, geometric and aims to convey a ...

Sol LeWitt, ‘Two Open Modular Cubes/Half-Off’ 1972
Art Term

Modular

Modular is a term used particularly in relation to minimalism, referring to a work of art with constituent parts that ...

Sol LeWitt, ‘Two Open Modular Cubes/Half-Off’ 1972
Art Term

Serial art

Serial art is art that adheres to a strict set of rules to determine its composition or to determine a ...

Photograph of Eva Hesse
Read

Interview with Helen Charash about the life and work of her late sister Eva Hesse

Simon Grant1

Eva Hesse (1936–1970) was born into a Jewish family in Hamburg. Aged only two, she and her five year ...

Julian Trevelyan, ‘Marakesh’ 1973
Blog

Tate Debate: Is selling art, selling out?

Susan Holtham

The profession of an artist should come with a disclaimer ‘do well, but not too well’. Artists appear to tread ...

Trisha Donnelly Untitled 2010
Tate Papers

Wavelength: On Drawing and Sound in the Work of Trisha Donnelly

Anna Lovatt

Involuntary Drawing
Boetti with Manifesto 1967 in 1970
Tate Etc

Giving time to time: Alighiero Boetti at Tate Modern I

Mark Godfrey

One of the most important and influential Italian artists of the twentieth century, Alighiero Boetti (1940–1994) is renowned for ...

Tate Papers

ARTIST ROOMS: Young People and Learning 2009–10

Christopher Ganley

This report describes and evaluates the ARTIST ROOMS learning initiatives launched in 2009–10 at Tate and the National Galleries ...

William Blake, ‘The Spiritual Form of Pitt Guiding Behemoth’ ?1805
Tate Papers

Tate Papers no.14: Autumn 2010

Read about William Blake’s exhibition of 1809, drawing as a modern art practice, and the concept of the sublime. The ...

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