Victor Pasmore

1908–1998

Victor Pasmore, ‘Abstract in White, Green, Black, Blue, Red, Grey and Pink’ c.1963
Abstract in White, Green, Black, Blue, Red, Grey and Pink c.1963
© estate of Victor Pasmore / DACS 2018
License this image
In Tate St Ives

Modern Art and St Ives

In Tate Modern

Artist and Society: A view from São Paulo: Abstraction and Society

Free entry
In Tate Britain

Walk Through British Art: 1940

Free entry
See all artworks on display

Biography

Edwin John Victor Pasmore, CH, CBE (3 December 1908 – 23 January 1998) was a British artist and architect. He pioneered the development of abstract art in Britain in the 1940s and 1950s.

This biography is from Wikipedia under an Attribution-ShareAlike Creative Commons License. Spotted a problem? Let us know.

Read full Wikipedia entry
British Constructivism Constructionism Euston Road School

Artworks

Victor Pasmore, ‘Abstract in White, Green, Black, Blue, Red, Grey and Pink’ c.1963

Victor Pasmore Abstract in White, Green, Black, Blue, Red, Grey and Pink

c.1963
On display at Tate Modern part of Artist and Society T11978
Victor Pasmore, ‘Synthetic Construction (White and Black)’ 1965–6

Victor Pasmore Synthetic Construction (White and Black)

1965–6
T00784
Victor Pasmore, ‘Reclining Nude’ 1942

Victor Pasmore Reclining Nude

1942
N05975
Victor Pasmore, ‘Spiral Motif in Green, Violet, Blue and Gold: The Coast of the Inland Sea’ 1950

Victor Pasmore Spiral Motif in Green, Violet, Blue and Gold: The Coast of the Inland Sea

1950
On display at Tate St Ives part of Modern Art and St Ives N06191
Victor Pasmore, ‘The Quiet River: The Thames at Chiswick’ 1943–4

Victor Pasmore The Quiet River: The Thames at Chiswick

1943–4
T00197
Victor Pasmore, ‘The Hanging Gardens of Hammersmith, No. 1’ 1944–7

Victor Pasmore The Hanging Gardens of Hammersmith, No. 1

1944–7
On display at Tate Britain part of Walk Through British Art T12615
Victor Pasmore, ‘Abstract in White, Black, Indian and Lilac’ 1957

Victor Pasmore Abstract in White, Black, Indian and Lilac

1957
On display at Tate St Ives part of Modern Art and St Ives T00166
Victor Pasmore, ‘Relief Construction in White, Black and Maroon’ 1962–3

Victor Pasmore Relief Construction in White, Black and Maroon

1962–3
T00609
See all 136

Artist as subject

Victor Pasmore, ‘Lamplight’ 1941

Victor Pasmore Lamplight

1941
N05253
Henry Moore OM, CH, recipient: Kenneth Clark, ‘Letter from Henry Moore to Kenneth Clark’ 22 July 1939

Henry Moore OM, CH, recipient: Kenneth Clark Letter from Henry Moore to Kenneth Clark

22 July 1939
View by appointment TGA 8812/1/3/2037
Duncan Grant, recipient: Vanessa Bell, ‘Postcard from D. [Duncan Grant] to Vanessa Bell’ [13 June 1940]

Duncan Grant, recipient: Vanessa Bell Postcard from D. [Duncan Grant] to Vanessa Bell

[13 June 1940]
TGA 8010/5/1791
Nigel Henderson, ‘Photograph showing sculpture, possibly by Victor Pasmore’ [June 1951]

Nigel Henderson Photograph showing sculpture, possibly by Victor Pasmore

[June 1951]
View by appointment TGA 201011/3/1/35/9
Nigel Henderson, ‘Photograph showing interior of a room with a desk and chair’ [June 1951]

Nigel Henderson Photograph showing interior of a room with a desk and chair

[June 1951]
View by appointment TGA 201011/3/1/35/10
Nigel Henderson, ‘Photograph showing interior of a room with works, possibly by Victor Pasmore’ [June 1951]

Nigel Henderson Photograph showing interior of a room with works, possibly by Victor Pasmore

[June 1951]
View by appointment TGA 201011/3/1/36/5
Nigel Henderson, ‘Photograph showing sculpture, possibly by Victor Pasmore’ [June 1951]

Nigel Henderson Photograph showing sculpture, possibly by Victor Pasmore

[June 1951]
View by appointment TGA 201011/3/1/35/5
Nigel Henderson, ‘Photograph showing interior of a room with works, possibly by Victor Pasmore and includes William Turnull’s work ‘Mobile Stabile’’ [June 1951]

Nigel Henderson Photograph showing interior of a room with works, possibly by Victor Pasmore and includes William Turnull’s work ‘Mobile Stabile’

[June 1951]
View by appointment TGA 201011/3/1/36/6
Vanessa Bell, recipient: Duncan Grant, ‘Letters from Vanessa Bell and Claude Rogers to Duncan Grant’ [24 November 1949]

Vanessa Bell, recipient: Duncan Grant Letters from Vanessa Bell and Claude Rogers to Duncan Grant

[24 November 1949]
View by appointment TGA 20078/1/44/221
See all 32

Film and audio

Listen

Late At Tate: Chris Stevens

Chris Stephens, curator of modern British art and head of displays at Tate Britain will be discussing the aesthetics of ...

Features

Rodrigo Moynihan, ‘Objective Abstraction’ c.1935–6
Art Term

Objective abstraction

The term objective abstraction refers to a non-geometric style of abstract art developed by a group of British artists in ...

Kenneth Martin, ‘Abstract’ c.1950
Art Term

Constructionism

Constructionism was an extension of constructivism in Britain from about 1950, with artists using naturally occurring proportional systems and rhythms ...

Victor Pasmore, ‘Reclining Nude’ 1942
Art Term

Euston Road School

The Euston Road School was a British realist group formed in 1938 of artists who either taught or studied at ...

Richard Hamilton, ‘Interior II’ 1964
Read

My teacher, Richard Hamilton

While new generations discover Richard Hamilton at Tate Modern, one of his former Newcastle University students reflects on how his ...

Victor Pasmore, ‘Black Abstract’ 1963
Tate Etc

Victor Pasmore's Black Abstract: Tate Etc. at Tate Britain / Artists' Perspectives

In celebration of the reopening of Tate Britain, Tate Etc. invited a selection of artists from around the world to ...

Victor Pasmore Untitled painting of the promenade at Dieppe circa 1933
Tate Etc

Through Pasmore's eyes: Behind the curtain

In his first visit to the Tate archive, the writer Paul Bailey is surprised to find an early painted sketch ...

You might like

Sir Terry Frost, ‘Green, Black and White Movement’ 1951

Sir Terry Frost

1915–2003
William Scott, ‘Orange, Black and White Composition’ 1953

William Scott

1913–1989
Kenneth Martin, ‘Chance, Order, Change 6 (Black)’ 1978–9

Kenneth Martin

1905–1984
Roger Hilton, ‘Oi Yoi Yoi’ 1963

Roger Hilton

1911–1975
David Bomberg, ‘In the Hold’ c.1913–14

David Bomberg

1890–1957
Mary Martin, ‘Expanding Form’ 1954

Mary Martin

1907–1969
R.B. Kitaj, ‘The Wedding’ 1989–93

R.B. Kitaj

1932–2007
Frank Auerbach, ‘Head of E.O.W. I’ 1960

Frank Auerbach

born 1931
Julian Trevelyan, ‘The Potteries’ c.1938

Julian Trevelyan

1910–1988
Robyn Denny, ‘Collage (Austin Reed, Version I)’ 1959

Robyn Denny

1930–2014
Ben Nicholson OM, ‘1934 (relief)’ 1934

Ben Nicholson OM

1894–1982
John Piper, ‘Covehithe Church’ 1983

John Piper

1903–1992
Rodrigo Moynihan, ‘Portrait Group’ 1951

Rodrigo Moynihan

1910–1990
Cecil Collins, ‘The Artist and his Wife’ 1939

Cecil Collins

1908–1989
Wilhelmina Barns-Graham, ‘Glacier Crystal, Grindelwald’ 1950

Wilhelmina Barns-Graham

1912–2004