
Not on display
- Artist
- Joseph Beuys 1921–1986
- Medium
- Oil paint and watercolour on paper
- Dimensions
- Support: 207 × 285 mm
frame: 674 × 540 × 39 mm - Collection
- ARTIST ROOMS Tate and National Galleries of Scotland
- Acquisition
- ARTIST ROOMS Acquired jointly with the National Galleries of Scotland through The d'Offay Donation with assistance from the National Heritage Memorial Fund and the Art Fund 2008
- Reference
- AR00107
Online caption
This drawing shows a group (or clan) of figures with the distinctive long ears of a hare. The hare is an animal which reappears frequently in Beuys's work, along with the stag. While the stag was connected to the upper (and male) part of the body, the hare was connected to the female / lower part of the body. It was also linked with the earth - Beuys compared the animal's shaping of the earth when burrowing underground to the process of human thought. Beuys's famous 1961 'action' 'How to explain pictures to a dead hare' featured the artist with his face covered in honey and gold leaf, explaining paintings to the dead animal.
Explore
- abstraction(9,882)
-
- from recognisable sources(4,512)
-
- figure(2,275)
- animals: fantastic(696)
-
- animal / human(308)
- hare(41)
- abstract concepts(124)
You might like
-
Joseph Beuys For Siberian Symphony
1962 -
Joseph Beuys Pregnant Woman with Swan
1959 -
Joseph Beuys 2 Sheep’s Heads
1961–75 -
Joseph Beuys Tails
1962 -
Joseph Beuys Wooden Virgin
1958 -
Joseph Beuys For Brown Environment: Giant Vessels
1964 -
Joseph Beuys + -
1962 -
Joseph Beuys Untitled (Frauendarstellung)
1958 -
Joseph Beuys Girl Pushing Against Elastic Sculpture
1961 -
Joseph Beuys Ice Age
1951 -
Joseph Beuys Schmela
1966 -
Joseph Beuys Felt Action for an Actress
1965 -
Joseph Beuys Untitled
1959 -
Joseph Beuys Whale trap
1966 -
Joseph Beuys Night in the Rafters
1974