Not on display
- Artist
- Joseph Beuys 1921–1986
- Medium
- Graphite, oil paint and typescript on paper
- Dimensions
- Support: 210 × 297 mm
frame: 680 × 525 × 33 mm - Collection
- ARTIST ROOMS Tate and National Galleries of Scotland
- Acquisition
- ARTIST ROOMS Acquired jointly with the National Galleries of Scotland through The d'Offay Donation with assistance from the National Heritage Memorial Fund and the Art Fund 2008
- Reference
- AR00643
Online caption
The brown used in this drawing is the 'Breunkreuz' (literally translated as 'Brown cross') oil paint Beuys used from the 1950s onwards. The effect of the paint reminded the artist of the walls and floors of houses in his native West Germany, and recalls earth and nature. Here, the matt paint looks as if it has been painted over something to hide it, with the deliberate triangular shape at the top of the page, and the way the paint clings closely to the edges of the strange shape or figure below.
Explore
- abstraction(9,836)
-
- from recognisable sources(4,468)
-
- figure(2,273)
- non-representational(6,703)
-
- gestural(906)
You might like
-
Joseph Beuys Whale trap
1966 -
Joseph Beuys Wooden Virgin
1958 -
Joseph Beuys Battery
1959 -
Joseph Beuys Untitled
1962 -
Joseph Beuys Untitled
1974 -
Joseph Beuys Play 17
1963 -
Joseph Beuys The Woman with the Dog
1975 -
Joseph Beuys Untitled
1959 -
Joseph Beuys Score for Siberian Symphony
1966 -
Joseph Beuys Fluxus-Name List
1963 -
Joseph Beuys Felt Action for an Actress
1965 -
Joseph Beuys Ice Age
1951 -
Joseph Beuys Physico-Chem-Zeit-Konstellation 11:00 23:00
1962 -
Joseph Beuys Therapeuticum
1964 -
Joseph Beuys Felt Sculptures
1964