Not on display
- Artist
- Joseph Beuys 1921–1986
- Medium
- Graphite and oil paint on paper
- Dimensions
- Support: 208 x 148 mm
frame: 680 x 525 x 27 mm - Collection
- ARTIST ROOMS Tate and National Galleries of Scotland
- Acquisition
- ARTIST ROOMS Acquired jointly with the National Galleries of Scotland through The d'Offay Donation with assistance from the National Heritage Memorial Fund and the Art Fund 2008
- Reference
- AR00684
Online caption
Beuys was never seen in public without his felt trilby hat. It was one of the essential components of the image he carefully cultivated for himself. Symbolically, the hat insulated the artist's energetic brain, but more practically it helped to keep his head warm, as the head injuries he received in his wartime plane crash meant he was particularly susceptible to cold. In common with the beliefs of some tribes, Beuys saw the head as sacred. In his drawings the hat is one of the attributes of the shaman, and its presence also represents the presence of the artist.
Explore
- abstraction(9,911)
-
- non-representational(6,737)
-
- monochromatic(731)
- clothing and personal items(5,986)
-
- hat(1,460)
You might like
-
Joseph Beuys Felt Sculptures
1964 -
Joseph Beuys For Felt Sculpture
1964 -
Joseph Beuys For Brown Environment: Giant Vessels
1964 -
Joseph Beuys For Brown Environment
1964 -
Joseph Beuys Therapeuticum
1964 -
Joseph Beuys Tunnel (Cathode Rays) Felt-Room Action
1964 -
Joseph Beuys Score
1967 -
Joseph Beuys Felt Action
1963 -
Joseph Beuys Tails
1962 -
Joseph Beuys For Brown Environment: Giant Vessels
1964 -
Joseph Beuys Walk Only When You Feel: Your Walk Starts Revolution
1969 -
Joseph Beuys Physico-Chem-Zeit-Konstellation 11:00 23:00
1962 -
Joseph Beuys For Brown Environment
1964 -
Joseph Beuys Sostanza Plastica
1965 -
Joseph Beuys Untitled
1959