
Not on display
- Artist
- Joseph Beuys 1921–1986
- Original title
- mit Filzplastik
- Medium
- Collage, crayon and ink on paper
- Dimensions
- Support: 577 × 367 mm
frame: 680 × 525 × 33 mm - Collection
- ARTIST ROOMS Tate and National Galleries of Scotland
- Acquisition
- ARTIST ROOMS Acquired jointly with the National Galleries of Scotland through The d'Offay Donation with assistance from the National Heritage Memorial Fund and the Art Fund 2008
- Reference
- AR00689
Online caption
This collage is typical of many of Beuys's works on paper. Pieced together from diverse scraps of paper, are small sketches, notes and calculations. The drawings and symbols were part of the personal language the artist used in his drawings. At the top of the collage is a plan or diagram, which may relate to the symbols of the elements aluminium and silicon (Al and Si) which appear on several pieces of paper. The sum of money 90,000 DM (Deutschmarks) also appears. Although his work from the 1960s onwards was primarily associated with sculpture and ‘actions’, drawing remained an important part of Beuys's working process, enabling him to capture his thoughts and feelings quickly and easily.
You might like
-
Joseph Beuys Honey is Flowing in All Directions
1976 -
Joseph Beuys The Shaman’s Two Bags
1977 -
Joseph Beuys Sekretarstasche
1976 -
Joseph Beuys Cross
1961 -
Joseph Beuys Fluxus-Name List
1963 -
Joseph Beuys Untitled
1964 -
Joseph Beuys German Students Party
1967 -
Joseph Beuys For FOND II
1968 -
Joseph Beuys A Party for Animals
1969 -
Joseph Beuys Score for Action with Transmitter (Felt) Receiver in the Mountains
1973 -
Joseph Beuys Call
1978–83 -
Joseph Beuys Pyramidal image
1979 -
Joseph Beuys Fight
1980 -
Joseph Beuys Untitled
1983 -
Joseph Beuys La Piantagione
1984