Not on display
- Artist
- William Blake 1757–1827
- Medium
- Line engraving and etching on paper
- Dimensions
- Image: 145 × 82 mm
- Collection
- Tate
- Acquisition
- Purchased 1992
- Reference
- T06587
Explore
- architecture(41,310)
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- periods and styles(5,203)
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- classical(1,043)
- townscapes / man-made features(21,653)
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- building - non-specific(3,170)
- clothing and personal items(5,879)
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- hat(1,444)
- actions: expressive(2,631)
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- bowing(30)
- sitting(3,323)
- looking / watching(580)
- man(10,483)
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- individuals: male(1,854)
- dress: ceremonial/royal(98)
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- vestments(37)
- religious(412)
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- bishop(32)
- papal legate(5)
- king(115)
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William Blake Alfred and the Neat-Herd’s Wife (after Henry Fuseli)
1797, published 1798 -
William Blake Wat Tyler and the Tax-Gatherer (after Henry Fuseli)
1797, published 1798 -
James Barry King George and Queen Charlotte
first published 1792 -
William Blake The Temple of Mirth, after Thomas Stothard
1784 -
James Barry Lord Baltimore and the Group of Legislators
1793–1808 -
William Blake Queen Elizabeth and Essex (after Henry Fuseli)
1797, published 1798 -
Prints after William Hogarth Dr Benjamin Hoadly, Bishop of Winchester, engraved by Thomas Cook
c.1800 -
James Barry The Distribution of Premiums in the Society of Arts
first published 1792 -
James Barry Reserved Knowledge
1795–1808 -
James Barry Scientists and Philosophers
c.1804–5 -
William Blake The Serpent Attacking Buoso Donati
1826–7, reprinted 1892 -
William Blake The Serpent Attacking Buoso Donati
1826–7, reprinted 1968 -
Prints after William Hogarth Satan, Sin and Death, engraved by Thomas Rowlandson and John Ogbourne after T00790
1792 -
James Barry William Pitt, Earl of Chatham
1778–1808 -
William Blake The Fall of Rosamond (after Thomas Stothard)
1783