
Not on display
- Artist
- Frank Bowling born 1934
- Medium
- Oil paint on canvas
- Dimensions
- Support: 3100 × 2168 mm
- Collection
- Tate
- Acquisition
- Presented by the artist, Rachel Scott, and their 4 children: Benjamin and Sacha Bowling, Marcia and Iona Scott 2013
- Reference
- T13936
Display caption
Bowling is a contemporary of Hockney and his early work was influenced by Bacon. This painting is about aspiration and inclusion. The staircase is one at the Royal College of Art and the rest of the scene combines contemporary interior design with fashionable art such as that of the op artist Victor Vasarely. Bowling appears twice, once poised at the top, and again arriving at the bottom of the stairs, a conflicted figure caught between two worlds. Despite early success, Bowling had reason to feel excluded and this work can be seen as an expression of the resulting frustration.
Gallery label, September 2016
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Film and audio
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Frank Bowling on Mirror 1966
Watch Frank Bowling speak about his painting Mirror 1966
Features
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Tate Papers
Frank Bowling: Material Explorations
This paper establishes a technical art history of the paintings of Frank Bowling and chronicles materials and techniques used by …
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Tate Etc
Frank Bowling: Awash with the Colour of Life
The Guyana-born British artist studied alongside David Hockney and R.B. Kitaj in the early 1960s, before making a name for …
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