
Not on display
- Artist
- Edward Calvert 1799–1883
- Medium
- Wood engraving on paper
- Dimensions
- Image: 41 × 76 mm
- Collection
- Tate
- Acquisition
- Presented by S. Calvert 1912
- Reference
- A00161
Display caption
Calvert's engravings 'The Return Home' and 'The Sheep of his Pasture' are particularly close in style to Blake's illustrations for Thornton's edition of Virgil's 'Pastorals'. 'The Chamber Idyll', by contrast, is a truly original image, and is usually regarded as Calvert's masterpiece. It is a sensuous vision of a bucolic honeymoon. The cottage stands open to the warm night, apples litter the floor, and a plough is silhouetted on the far right-hand horizon emphasising the end of the day's labours. The print, with its fine engraved lines, is an astonishing technical achievement for an artist who had been making prints for only four years. Yet after this work Calvert abandoned printmaking altogether.
Gallery label, September 2004
Does this text contain inaccurate information or language that you feel we should improve or change? We would like to hear from you.
You might like
-
Edward Calvert The Bride
1828 -
Edward Calvert The Sheep of his Pasture
c.1828 -
Edward Calvert The Ploughman
1827 -
Edward Calvert The Brook
1829 -
Edward Calvert The Cyder Feast
1828 -
Edward Calvert The Lady and the Rooks
1829 -
Edward Calvert The Return Home
1830 -
Edward Calvert The Bacchante, engraved by Welby Sherman
c.1825 -
Edward Calvert Ideal Pastoral Life
1829 -
Edward Calvert Elemental Life
date not known -
Edward Calvert The Bride
1828 -
Samuel Palmer Coming from Evening Church
1830 -
Samuel Palmer Evening, engraved by Welby Sherman
1834 -
George Richmond The Shepherd
1827 -
George Richmond Abel the Shepherd
1825