Not on display
- Artist
- Sir Anthony Caro 1924–2013
- Medium
- Painted steel and aluminium
- Dimensions
- Object: 2896 × 6198 × 3353 mm
- Collection
- Tate
- Acquisition
- Presented by the Contemporary Art Society 1965
- Reference
- T00805
Display caption
Early One Morning is a major example of the kind of sculpture that established Caro as the leading young sculptor of the 1960s. In this work, his arrangement of planes and lines along a horizontal axis gave greater freedom in creating different rhythms and configurations. The work has no fixed visual identity and no single focus of interest. Rather, it unfolds and expands into the spectator’s space, its appearance changing with the viewpoint. The individual elements are unified by the bright red colour and Caro sees the way they cohere, making a sculptural whole, as being like the relationship of notes within a piece of music.
Gallery label, September 2016
Does this text contain inaccurate information or language that you feel we should improve or change? We would like to hear from you.
Catalogue entry
Anthony Caro b. 1924
T00805 Early One Morning 1962
Not inscribed.
Painted steel and aluminium, 114 x 244 x 132 (290 x 620 x 335).
Presented by the Contemporary Art Society 1965.
Coll: Purchased by the C.A.S. from the artist through Kasmin Ltd. 1965.
Exh: Whitechapel Art Gallery, September-October 1963 (12, repr. in colour and in black and white); C.A.S., British Sculpture in the Sixties, Tate Gallery, February-April 1965 (19, repr.); Venice Biennale, 1966 (British Pavilion 36, repr. in illustrated catalogue). Repr: Art and Artists, I, June 1966, p. 27; Studio International, CLXXI, 1966, p. 232.
These two works are major examples of Caro’s painted metal sculptures which he has been producing since 1960. ‘Early One Morning’ is among the first in which the industrial associations of rough and massive girders were largely eliminated in favour of an effect of weightlessness.
Published in The Tate Gallery Report 1965–1966, London 1967.
Features
-
Anthony Caro's Early One Morning
Tate Etc. at Tate Britain / Artists' Perspectives -
When art meets architecture: Anthony Caro retrospective
Richard MacCormac reflects on the relationship between sculpture and architecture in the light of a visit to Anthony Caro's retrospective …
-
The poetics of space
Sculptors and architects both work with form in space, albeit on different scales and using varying methods. Anthony Caro, known …
Explore
- abstraction(9,882)
-
- non-representational(6,712)
-
- colour(2,496)
- geometric(3,099)
- monochromatic(728)
- formal qualities(12,721)
- natural phenomena(3,188)
-
- light(82)
You might like
-
Sir Anthony Caro Yellow Swing
1965 -
Sir Anthony Caro Emma Dipper
1977 -
Sir Anthony Caro Twenty Four Hours
1960 -
Sir Anthony Caro Table Piece XXVIII
1967 -
Sir Anthony Caro Quartet
1971 -
William Turnbull 5 x 1
1966 -
Sir Anthony Caro Tundra
1975 -
David Annesley Untitled
1968 -
Michael Bolus Untitled
1971 -
Richard Smith Early Reply
1972 -
Sir Anthony Caro The Window
1966–7 -
David Annesley Jump
1965 -
David Annesley Godroon
1966 -
Sir Anthony Caro Piece LXXXII
1969 -
Sir Anthony Caro The Soldier’s Tale
1983