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Left Right
  • The Landing: H Hour minus 6. In the Distance Glow of the Lancasters Bombing Battery to be Attacked

    Albert Richards
    1944
  • Withdrawing from the Battery after the Battery’s Guns Had Been Destroyed.

    Albert Richards
    1944
  • Cover Design for a Portfolio of Prints

    Naum Gabo
    c.1975
  • Untitled

    Joel Fisher
    1981–2
  • Gustave Courbet’s ‘Burial at Ornans’; Expressing a Sensuous Affection .../Expressing a Vibrant Erotic Vision .../Expressing States of Mind that are Vivid and Compelling

    Art & Language (Michael Baldwin, born 1945; Mel Ramsden, born 1944)
    1981
  • Index: The Studio at 3 Wesley Place, in the Dark (VI), Showing the Position of ‘Embarrassments’ in (IV)

    Art & Language (Michael Baldwin, born 1945; Mel Ramsden, born 1944)
    1982
  • Crystals of Standstill

    Günter Brus
    1983
  • Post-Partum Document. Documentation III: Analysed Markings And Diary Perspective Schema (Experimentum Mentis III: Weaning from the Dyad)

    Mary Kelly
    1975
    On display at Tate Britain part of Modern and Contemporary British Art
  • Drawing for Construction

    Stephen Willats
    1963
  • Worksheet for Visual Automatic No.5, No.4

    Stephen Willats
    1965
  • Sabra and Shatila Massacre

    Dia al-Azzawi
    1982–3
  • Parallel Lines, Analyses

    Dóra Maurer
    1977
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