
Not on display
- Artist
- Thomas Sword Good 1789–1872
- Medium
- Oil paint on mahogany
- Dimensions
- Support: 241 × 190 mm
- Collection
- Tate
- Acquisition
- Presented by Robert Vernon 1847
- Reference
- N00378
Display caption
Good was born in Berwick-upon-Tweed. He lived there for almost his entire career and first exhibited in London in 1824. He specialized in small highly finished oil paintings which usually showed one or two figures, often seated, in interiors. Like many genre painters, Good portrayed friends or professional models but introduced studio props and contrived incidents as a means of creating narrative interest. Rather as Wilkie had done in his 'Newsmongers' of 1821, shown nearby, Good was attracted to the theme of people reading a newspaper. During the early nineteenth century, especially during the Napoleonic Wars, the market for newspapers grew rapidly as public interest in current affairs developed.
Gallery label, September 2004
Does this text contain inaccurate information or language that you feel we should improve or change? We would like to hear from you.
You might like
-
Sir Edwin Henry Landseer High Life
1829, exhibited 1831 -
Joseph Mallord William Turner A Man Seated at a Table in the Old Library
1827 -
Joseph Mallord William Turner A Bedroom with a Fire Burning and a Woman Reading to a Man Lying on a Sofa
1827 -
Sir David Wilkie Newsmongers
1821, exhibited 1821 -
Andrew Geddes Dull Reading
?c.1826 -
Sir Edwin Henry Landseer Highland Music
?1829, exhibited 1830 -
Theodore Lane Enthusiast (‘The Gouty Angler’)
1828, exhibited 1828 -
John Callcott Horsley The Pride of the Village
1839, exhibited 1839 -
Thomas Sword Good No News
exhibited 1833 -
Thomas Sword Good Study of a Boy
date not known -
Sir David Wilkie Study for ‘Blind Man’s Buff’
1811 -
Thomas Woodward The Rat-Catcher and his Dogs
exhibited 1824 -
Joseph Mallord William Turner George IV at the Provost’s Banquet in the Parliament House, Edinburgh
c.1822 -
Arthur Boyd Houghton Mother and Children Reading
c.1860 -
John Constable Maria Constable with Two of her Children. Verso: Copy after Teniers
c.1820