Spencer Gore

The name of the sitter is not known, but in a letter to the Tate Gallery of October 1960, Gore’s widow Mollie recalled that ‘she was such a nice woman, married, with several children. She kept the rooms clean at 19 Fitzroy Street dispensed tea on Saturday afternoons, looking v. handsome in a black velvet dress.’1 The writer John Woodeson stated that:

Gore’s Woman Standing in a Window c.1908 (Beaverbrook Art Gallery, Fredericton, Canada) appears to be another portrait of the same person. The sitter in his Nude 1910 (fig.1), which once belonged to Gilman, seems to have an even closer similarity to the sitter in North London Girl.

It had been Sickert’s idea in spring 1907 to rent first-floor rooms at 19 Fitzroy Street where works by a loose association of artists with whom he felt in sympathy might be displayed and sold. The founder members were Sickert, Gore, Gilman, Walter Russell, William Rothenstein and Albert Rutherston, who were joined shortly afterwards by Lucien Pissarro, Ethel Sands and Nan Hudson, and in 1908 by Robert Bevan. It was from this nucleus that later the Camden Town Group would partly be drawn. The Fitzroy Street painters held regular gatherings on Saturday afternoons, where works on show would be discussed and potential patrons invited to purchase. It was partly an attempt to break free from a reliance on dealers, who were not always sympathetic to their work, and therefore gain a degree of independence. Sickert explained in a letter to Hudson that in setting up the Fitzroy Street salon it was his intention to: