In Tate Britain
Prints and Drawings Room
View by appointment- Artist
- Richard Hamilton 1922–2011
- Medium
- Lithograph and enamel on paper
- Dimensions
- Image: 849 × 424 mm
- Collection
- Tate
- Acquisition
- Presented by the artist 1991
- Reference
- P20043
Display caption
Hamilton was fascinated by the process of working with the computer program Quantel
Paintbox. He used a video recording of the documentary to review the intermediary stages in constructing his painting The subject, and selected an image to make into a Cibachrome transparency. This formed the basis for several works.
The process of converting the digital information to print produced a blurry image which Hamilton called the ‘hard copy problem’. He applied cheap enamel paint to enliven each copy. This mirrored the electronic ‘masking’ necessary to isolate areas of the image to be manipulated on the Quantel Paintbox.
Gallery label, July 2008
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Richard Hamilton Four Self Portraits - 05.3.81
1990 -
Don McCullin Catholic Youths Attacking British Soldiers in the Bogside of Londonderry
1971, printed 2013 -
Richard Hamilton Interior with monochromes
1979 -
Richard Hamilton Soft pink landscape
1980 -
Richard Hamilton A dedicated follower of fashion
1980 -
Richard Hamilton Sunset (f)
1975 -
Richard Hamilton Flower-piece B
1975 -
Richard Hamilton Flower-piece B - crayon study
1975 -
Richard Hamilton Just what was it that made yesterday’s homes so different, so appealing? (upgrade)
2004 -
Richard Hamilton Kent State
1970 -
Richard Hamilton The marriage
1998 -
Richard Hamilton Archive I
1981 -
Richard Hamilton The citizen
1981–3 -
Richard Hamilton The subject
1988–90 -
Richard Hamilton The state
1993
