
Not on display
- Artist
- Margaret Harrison born 1940
- Medium
- Crayon and graphite on card
- Dimensions
- Support: 760 × 575 mm
frame: 871 × 626 × 30mm - Collection
- Tate
- Acquisition
- Purchased 2008
- Reference
- T12826
Online caption
Harrison was one of the founders of the Women’s Liberation Art Group in 1970. She explores gender identity and stereotyping as well as broader issues affecting women such as equal pay, homeworkers’ rights, domestic abuse and rape. In these works the artist uses humour to explore male preoccupations, the way the media portrays women, and pop art. Harrison describes them as ‘anti-pornographic’ because they were drawn by a woman. They were first shown in a solo exhibition in 1971 that was closed by police after one day for being ‘indecent’.
Explore
- emotions, concepts and ideas(16,402)
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- emotions and human qualities(5,348)
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- victim(38)
- clothing and personal items(5,873)
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- underwear(73)
- spoon(25)
- actions: postures and motions(9,102)
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- kneeling(504)
- woman(9,107)
- sex and relationships(834)
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- eroticism(409)
You might like
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Margaret Harrison Good Enough to Eat
1971 -
Margaret Harrison Take One Lemon
1971 -
Allen Jones Woman-Splash
1970–1 -
John Piper Eye and Camera
1983 -
John Piper Eye and Camera: Grey and Blue
1972 -
John Piper [no title]
1978 -
Colin Self Guard Dog on a Missile Base, No. 1
1965 -
Roland Vivian Pitchforth Wet Windscreen, Ramsgate Harbour
c.1971 -
David Hockney Bob, London
1964 -
Margaret Harrison, Kay Hunt, Mary Kelly Women and Work: A Document on the Division of Labour in Industry 1973-75
1973–5 -
Linder Untitled
1976 -
Margaret Harrison Son of Rob Roy
1971 -
Margaret Harrison Little Woman at Home
1971 -
Margaret Harrison Banana Woman
1971 -
Margaret Harrison Homeworkers
1977