
Not on display
- Artist
- Benjamin Robert Haydon 1786–1846
- Medium
- Ink on paper
- Dimensions
- Support: 121 × 98 mm
- Collection
- Tate
- Acquisition
- Presented by Charles Newton-Robinson 1909
- Reference
- A00192
Display caption
Drawn while inspecting a picture at the British Institution, Beaumont was the most influential connoisseur and patron of painting and poetry in Regency London. He intensely disliked Turner's work and was distinctly cool towards Byron, whose intellect Lady Beaumont - also a lover of poetry - considered 'near derangement'. The Beaumonts preferred to support Wordsworth, Coleridge and Southey, the Lake Poets whom Byron satirised in his first popular poem, 'English Bards and Scotch Reviewers' (1809). Turner and Byron might well have made common cause over this arbiter of taste, who saw nothing in one of them and everything in the colleagues the other most despised.
Gallery label, August 2004
Does this text contain inaccurate information or language that you feel we should improve or change? We would like to hear from you.
You might like
-
Benjamin Robert Haydon Study for ‘The Judgement of Solomon’. Verso: Study of a Head
c.1812–4 -
Samuel Prout House in the Haverwerf, Malines
c.1823–51 -
Alfred Stevens The Hon. and Rev. Samuel Best
c.1833 -
John Jackson Sir David Wilkie, R.A.
c.1815–20 -
Edward Calvert Mary Calvert, the Artist’s Wife
c.1825–30 -
Alfred Stevens The Hon. and Rev. Samuel Best
?1840 -
John Linnell Samuel Rogers
1833–5 -
Benjamin Robert Haydon Study for ‘The Mock Election’
1827 -
Samuel Prout Fishing Boats, Hastings
date not known -
Sir Thomas Lawrence 3. Portrait of James Boswell
date not known -
George Dance 6. Head of John Yenn, Caricature
1796 -
George Richmond Portrait of Henry Walter. Verso: Profile of a Woman
1829 -
William Henry Hunt Portrait of Frederick Nash, in Profile to Left
date not known -
Sir Francis Legatt Chantrey Bust of ‘Mr Warp’ (probably John Wauchope of Edinburgh, 1751-1828)
1816