In Tate Britain
- Artist
- Amelia Robertson Hill 1820–1904
- Medium
- Bronze
- Dimensions
- Object: 950 × 700 × 420 mm
- Collection
- Tate
- Acquisition
- Presented by Tate Patrons 2014
- Reference
- T14173
Display caption
Hill came from the artistic Paton family and was herself a prominent Scottish sculptor, contributing three figures to the Scott Monument in Edinburgh. There is no reliable likeness of Percy Bysshe Shelley as an adult, and Hill’s fascination for the Romantic poet translated into this monumental idealised bust. A prized possession, she kept it until she died, prominently displayed in the large vestibule of her studio home.
Gallery label, November 2016
Does this text contain inaccurate information or language that you feel we should improve or change? We would like to hear from you.
Explore
- people(35,021)
-
- actions: postures and motions(9,098)
-
- looking down(194)
- adults(22,638)
-
- man(10,387)
- body(4,877)
-
- head / face(2,503)
- named individuals(12,478)
- portraits(4,294)
-
- individuals: male(1,847)
You might like
-
Auguste Rodin Balzac
1892 -
Sir Charles Holroyd Medal of George Meredith
date not known -
James Havard Thomas Cardinal Manning
1876–86 -
Sir Alfred Gilbert John Howard, the Prison Philanthropist
c.1893–4 -
Sir Alfred Gilbert Ignacy Jan Paderewski
1891 -
Augustus John OM W.B. Yeats
1907 -
Edward Onslow Ford Sir W.Q. Orchardson, R.A.
exhibited 1895 -
Walter Richard Sickert George Moore
1890–1 -
Thomas Woolner Alfred Tennyson
1856 -
Edouard Lanteri Paysan
c.1901 -
William Strang Sir Henry Newbolt
1897 -
Sir Jacob Epstein Euphemia Lamb
1908 -
Sir Hamo Thornycroft Teucer
1881 -
James Charles Heads: Children and a Family Group
c.1900