Anthony Hill

S2

1968–9

© Anthony Hill

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Not on display
Artist
Anthony Hill born 1930
Medium
Plastic and metal
Dimensions
Object: 318 x 1581 x 102 mm
Collection
Tate
Acquisition
Purchased 1970
Reference
T01187
British Constructivism Constructionism

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Left Right
Anthony Hill, ‘Relief Construction’ 1963

Anthony Hill Relief Construction

1963
Anthony Hill, ‘Relief Construction’ 1960–2

Anthony Hill Relief Construction

1960–2
Anthony Hill, ‘Parity Study in Blue and Red’ 1971

Anthony Hill Parity Study in Blue and Red

1971
View by appointment
Anthony Hill, ‘Rational Concepts’ 1977

Anthony Hill Rational Concepts

1977
Anthony Hill, ‘Vector Rhythms’ 1972

Anthony Hill Vector Rhythms

1972
View by appointment
Stephen Willats, ‘Visual Field Automatic No.1’ 1964

Stephen Willats Visual Field Automatic No.1

1964
Anthony Hill, ‘Painting 55-56’ 1955–6

Anthony Hill Painting 55-56

1955–6
Anthony Hill, ‘Orthogonal / Diagonal Composition’ 1954

Anthony Hill Orthogonal / Diagonal Composition

1954
On display at Tate Britain part of Walk Through British Art
John Ernest, ‘Moebius Strip’ 1971–2

John Ernest Moebius Strip

1971–2
Victor Pasmore, ‘Abstract in White, Green, Black, Blue, Red, Grey and Pink’ c.1963

Victor Pasmore Abstract in White, Green, Black, Blue, Red, Grey and Pink

c.1963
On display at Tate Modern part of Artist and Society
Gillian Wise, ‘Looped Network Suspended in Pictorial Space’ 1974

Gillian Wise Looped Network Suspended in Pictorial Space

1974
On display at Tate Britain part of Walk Through British Art
Victor Pasmore, ‘Synthetic Construction (White and Black)’ 1965–6

Victor Pasmore Synthetic Construction (White and Black)

1965–6
Kenneth Martin, ‘Rotation ‘Frankfurt’ II’ 1977

Kenneth Martin Rotation ‘Frankfurt’ II

1977
View by appointment
Kenneth Martin, ‘Rotation ‘Frankfurt’, Key Drawing’ 1977

Kenneth Martin Rotation ‘Frankfurt’, Key Drawing

1977
Victor Pasmore, ‘Relief Construction in White, Black and Maroon’ 1962–3

Victor Pasmore Relief Construction in White, Black and Maroon

1962–3