Not on display
- Artist
- Nicholas Hlobo born 1975
- Medium
- Rubber inner tubes, steel, hosepipes and ribbon
- Dimensions
- Overall display dimensions variable
- Collection
- Tate
- Acquisition
- Purchased with funds provided by the 2012 Outset / Frieze Art Fair Fund to benefit the Tate Collection 2013
- Reference
- T13737
Display caption
Balindile I is titled in Hlobo’s native language Xhosa, a Nguni language widely spoken in South Africa. Translated as ‘those in waiting’, it refers to the black rubber form that appears to be rising up, in a state of limbo. The rubber is from the inner tube of a car tyre, gathered from repair shops in Johannesburg. The hosepipe appears to be acting as a tether, limiting movement. It could also represent an umbilical cord, signifying growth and possibility.
Gallery label, August 2019
Does this text contain inaccurate information or language that you feel we should improve or change? We would like to hear from you.
You might like
-
Marlene Dumas Magdalena 1
1996 -
Marlene Dumas Magdalena 2
1996 -
Marlene Dumas Magdalena 3
1996 -
Marlene Dumas Magdalena 4
1996 -
Marlene Dumas Magdalena 5
1996 -
Marlene Dumas Magdalena 6
1996 -
Marlene Dumas Lead White
1997 -
Nicholas Hlobo Macaleni Iintozomlambo
2010 -
Nicholas Hlobo Ikhonkco
2010 -
Kemang Wa Lehulere I cut my skin to liberate the splinter: Act 1
2017 -
Kemang Wa Lehulere I cut my skin to liberate the splinter: Act 2
2017 -
Kemang Wa Lehulere I cut my skin to liberate the splinter: Act 3
2017 -
Kemang Wa Lehulere I cut my skin to liberate the splinter: Act 4
2017 -
Kemang Wa Lehulere I cut my skin to liberate the splinter: Act 5
2017 -
Kemang Wa Lehulere I cut my skin to liberate the splinter: Please remember on my behalf
2017
