Thomas Jones

Pencerrig

1772

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In Tate Britain

Prints and Drawings Room

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Artist: Thomas Jones 1742–1803
Medium: Oil paint on paper
Dimensions: Support: 318 x 222 mm
Collection: Tate
Acquisition: Purchased as part of the Oppé Collection with assistance from the National Lottery through the Heritage Lottery Fund 1996
Reference: T08247

Display caption

Thomas Jones aspired to be a classical landscape painter in the manner of his teacher, Richard Wilson (1713-1782). However, he is chiefly remembered today for the important Memoirs he wrote towards the end of his life, and for his original and striking oil sketches. A number of these were made in Wales in his early career, whilst others were painted in Naples towards the end of a seven-year stay in Italy between 1776 and 1783. The best known of his early sketches were executed on trips home to the family estate at Pencerrig, this one being painted in the late summer of 1772.

Gallery label, September 2004

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Thomas Jones, ‘Pencerrig’ 1776

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Thomas Jones, ‘Ariccia, Buildings on the Edge of the Town. Verso: Relative Positions of the Benedictine Convent of the Madona of the Galoro near Larici and the Gardens of the Convent of the Capuchins at Albano as Well as the Dome of the Church at L’Arriccia’ 1777

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Thomas Jones, ‘In the Road to Santa Maria de’Monti, near Naples: Morning’ 1781

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1781

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Alexander Cozens, ‘Before Storm’ c.1770

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Thomas Jones, ‘The Bay of Naples and the Mole Lighthouse’ 1782

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Thomas Jones, ‘Mount Vesuvius from Torre dell’Annunziata near Naples’ 1783

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Thomas Barker of Bath, ‘The Woodman and his Dog in a Storm’ c.1787

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Richard Wilson, ‘Llyn-y-Cau, Cader Idris’ ?exhibited 1774

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Richard Wilson, ‘Ariccia’ c.1754–6

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