
In Tate Britain
Prints and Drawings Room
View by appointment- Artist
- Frederic, Lord Leighton 1830–1896
- Medium
- Chalk on paper
- Dimensions
- Support: 225 × 285 mm
- Collection
- Tate
- Acquisition
- Purchased as part of the Oppé Collection with assistance from the National Lottery through the Heritage Lottery Fund 1996
- Reference
- T08208
Display caption
Leighton was the most eminent of all artists working during Queen Victoria's reign. He trained in Germany and Paris. One result of this training was the importance he attached to making preliminary drawings for any composition he painted in oils. This drawing is a study for the head of Elijah in Leighton's 1863 Royal Academy exhibit 'Jezebel and Ahab' which is now in Scarborough Art Gallery. The model was Leighton's friend the actress Fanny Kemble. The use of a woman to pose for a male figure seems unusual, but the drawing would have been used by Leighton to set a male model when he stood for the figure of 'Elijah' for the painting.
Gallery label, September 2004
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Frederic, Lord Leighton Cain and Abel
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Frederic, Lord Leighton Samson and the Lions
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Frederic, Lord Leighton Abram and the Angel
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Frederic, Lord Leighton Eliezer and Rebekah
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1859 -
Frederic, Lord Leighton And the Sea Gave Up the Dead Which Were in It
exhibited 1892 -
Frederic, Lord Leighton Study for ‘The Discovery of Juliet Apparently Lifeless’
c.1858 -
Frederic, Lord Leighton Helios and Rhodes
date not known -
Frederic, Lord Leighton A Recognition from ‘Romola’, engraved by Swain
published 1862 -
Frederic, Lord Leighton Mrs John Hanson Walker
1867 -
Frederic, Lord Leighton Lieder ohne Worte
exhibited 1861 -
Frederic, Lord Leighton Sketches for Cimon and Iphigenia
date not known -
Frederic, Lord Leighton Cimon and Iphigenia, with Many Smaller Subjects
date not known -
Frederic, Lord Leighton Preparing for a Festa, Florence
date not known -
Frederic, Lord Leighton Various Subjects
date not known