Not on display
- Artist
- Frederic, Lord Leighton 1830–1896
- Medium
- Bronze
- Dimensions
- Object: 1911 × 902 × 597 mm
- Collection
- Tate
- Acquisition
- Presented by Sir Henry Tate 1894
- Reference
- N01752
Display caption
Leighton struck a balance between the real and the ideal in this life-size bronze sculpture of a perfect male body. It is modern in the way it seizes on a momentary and languid pose, and yet artificial in the way the muscles are emphasised and all personal individuality suppressed. The Sluggard was made for exhibition at the Royal Academy. The fig leaf that hides the penis was a convention intended to neutralise any sexual appeal while the sculpture was on public display. Leighton made few sculptures, but like his paintings they were based on skill in drawing outlines.
Gallery label, February 2010
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Frederic, Lord Leighton Cain and Abel
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Frederic, Lord Leighton And the Sea Gave Up the Dead Which Were in It
exhibited 1892 -
Frederic, Lord Leighton The Bath of Psyche
exhibited 1890 -
Sir Hamo Thornycroft Teucer
1881 -
Frederic, Lord Leighton An Athlete Wrestling with a Python
1877 -
Edward Onslow Ford Folly
exhibited 1886 -
Frederic, Lord Leighton Sketch for ‘An Athlete Wrestling with a Python’
c.1877 -
Frederic, Lord Leighton Study for ‘Needless Alarms’
1886 -
Frederic, Lord Leighton Helios and Rhodes
date not known -
Frederic, Lord Leighton Puerta de los Vientos, near Ronda, Spain
c.1886–9 -
Frederic, Lord Leighton Needless Alarms
1886 -
Sir Alfred Gilbert John Howard, the Prison Philanthropist
c.1893–4 -
Sir Hamo Thornycroft The Mower
1888–90 -
Frederic, Lord Leighton Sketches for Cimon and Iphigenia
date not known
