In Tate Britain
- Artist
- Frederic, Lord Leighton 1830–1896
- Medium
- Bronze
- Dimensions
- Object: 508 × 225 × 159 mm
- Collection
- Tate
- Acquisition
- Presented by Lady Aberconway 1940
- Reference
- N05120
Display caption
This is the third and final sculpture which Frederic Leighton produced, the others being the more heroic male nudes An Athlete Wrestling with a Python 1877 and The Sluggard 1885. The subject here is a child frightened by a toad, but Leighton is mainly interested in capturing the gentle contours of the figure. When Needless Alarms was shown at the Royal Academy it was much admired, especially by the painter John Everett Millais, who acquired a cast of it.
Gallery label, November 2016
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- emotions, concepts and ideas(16,531)
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- emotions and human qualities(5,350)
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- anxiety(1,031)
- animals: fish and aquatic life(314)
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- toad(10)
- actions: postures and motions(9,097)
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- arm / arms raised(834)
- looking down(194)
- standing(3,131)
- looking / watching(580)
- girl(1,102)
- female(1,664)
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Frederic, Lord Leighton Study for ‘Needless Alarms’
1886 -
Frederic, Lord Leighton The Sluggard
1885 -
Frederic, Lord Leighton An Athlete Wrestling with a Python
1877 -
Frederic, Lord Leighton Sketch for ‘An Athlete Wrestling with a Python’
c.1877 -
Frederic, Lord Leighton The Bath of Psyche
exhibited 1890 -
Frederic, Lord Leighton Moses Views the Promised Land
published 1881 -
Frederic, Lord Leighton And the Sea Gave Up the Dead Which Were in It
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Frederic, Lord Leighton Helios and Rhodes
date not known -
Frederic, Lord Leighton Sketches for Cimon and Iphigenia
date not known -
Edward Onslow Ford Folly
exhibited 1886 -
Edward Onslow Ford The Singer
exhibited 1889 -
Frederic, Lord Leighton Eliezer and Rebekah
published 1881 -
Sir Alfred Gilbert John Howard, the Prison Philanthropist
c.1893–4 -
Sir Hamo Thornycroft Teucer
1881 -
Frederic, Lord Leighton Death of the First Born
published 1881