Arthur Lemon

The Wooing of Daphnis

exhibited 1881

Image released under Creative Commons CC-BY-NC-ND (3.0 Unported)

License this image

Not on display
Artist
Arthur Lemon 1850–1912
Medium
Oil paint on canvas
Dimensions
Support: 852 x 1200 mm
frame: 1232 x 1582 x 80 mm
Collection
Tate
Acquisition
Presented by Daya Moonesinghe 1999
Reference
T07562

Display caption

The story of Daphnis and Chloë was a popular subject in Continental art in the nineteenth century. Lemon shows the nymph Chloë and her Sicilian herdsman in the Italian countryside, blissfully in love. In Greek mythology, Daphnis was the inventor of pastoral poetry, giving added resonance to Lemon’s idyllic scene of rural pleasure.

Lemon was celebrated as a painter of pastoral Italian scenes, and genre subjects. Although born in Britain, he worked in Italy for much of his career, where he became associated with the Etruscan school of painters, led by Frederic Leighton and Giovanni Costa.

Gallery label, August 2004

Does this text contain inaccurate information or language that you feel we should improve or change? We would like to hear from you.

Explore

You might like

Marcus Stone, ‘Il y en a toujours un autre’ 1882

Marcus Stone Il y en a toujours un autre

1882
N01583

Frederic, Lord Leighton Helios and Rhodes

date not known
N03015
James Clarke Hook, ‘Young Dreams’ 1887

James Clarke Hook Young Dreams

1887
N01513
Sir John Everett Millais, Bt, ‘The North-West Passage’ 1874

Sir John Everett Millais, Bt The North-West Passage

1874
On display at Tate Britain part of Walk Through British Art N01509
Sir William Quiller Orchardson, ‘Her First Dance’ 1884

Sir William Quiller Orchardson Her First Dance

1884
N01519
Sir John Everett Millais, Bt, ‘The Boyhood of Raleigh’ 1870

Sir John Everett Millais, Bt The Boyhood of Raleigh

1870
N01691

Arthur Lemon An Encampment

date not known
N02935
Andrew Carrick Gow, ‘A Lost Cause: Flight of King James II after the Battle of the Boyne’ 1888

Andrew Carrick Gow A Lost Cause: Flight of King James II after the Battle of the Boyne

1888
N01530

Sir Edward Coley Burne-Jones, Bt The Temple of Love

date not known
N03452
Samuel Waller, ‘Sweethearts and Wives’ 1882

Samuel Waller Sweethearts and Wives

1882
N01552
Sir Edward Coley Burne-Jones, Bt, ‘King Cophetua and the Beggar Maid’ 1884

Sir Edward Coley Burne-Jones, Bt King Cophetua and the Beggar Maid

1884
On display at Tate Britain part of Edward Burne-Jones N01771
Frederick Goodall, ‘The Ploughman and the Shepherdess: Time of the Evening Prayer’ 1897

Frederick Goodall The Ploughman and the Shepherdess: Time of the Evening Prayer

1897
N01562
Frederic, Lord Leighton, ‘And the Sea Gave Up the Dead Which Were in It’ exhibited 1892

Frederic, Lord Leighton And the Sea Gave Up the Dead Which Were in It

exhibited 1892
On display at Tate Britain part of Walk Through British Art N01511
Henry Woods, ‘Cupid’s Spell’ 1885

Henry Woods Cupid’s Spell

1885
N01531
John Macallan Swan, ‘The Prodigal Son’ 1888

John Macallan Swan The Prodigal Son

1888
N01569