Charles Robert Leslie

Sketch for ‘Sancho Panza in the Apartment of the Duchess’

c.1844

Image released under Creative Commons CC-BY-NC-ND (3.0 Unported)

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Not on display

Artist: Charles Robert Leslie 1794–1859
Medium: Oil paint on board
Dimensions: Support: 140 x 168 mm
Collection: Tate
Acquisition: Bequeathed by Henry Vaughan 1900
Reference: N01796

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Charles Robert Leslie, ‘Sancho Panza in the Apartment of the Duchess’ 1843–4, exhibited 1844

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Charles Robert Leslie, ‘Sketch for ‘The Duke and Duchess Reading “Don Quixote”’’ c.1829

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c.1829

Charles Robert Leslie, ‘Uncle Toby and the Widow Wadman’ 1842

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Charles Robert Leslie, ‘The Carved Room, Petworth House, Sussex (c1856). Verso: Sketch of a Seated Male Figure in Van Dyck Costume (1844)’ c.1856

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c.1856

Charles Robert Leslie, ‘Falstaff Personating the King’ c.1851

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c.1851

Charles Robert Leslie, ‘A Scene from Milton’s ‘Comus’’ exhibited 1844

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exhibited 1844

Edward Matthew Ward, ‘Doctor Johnson in the Ante-Room of the Lord Chesterfield Waiting for an Audience, 1748’ 1845, exhibited 1848

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1845, exhibited 1848

Charles Robert Leslie, ‘Lady Jane Grey Prevailed on to Accept the Crown’ exhibited 1827

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Robert Smirke, ‘[title not known]’ published 1818

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published 1818

Edward Matthew Ward, ‘The Disgrace of Lord Clarendon, after his Last Interview with the King - Scene at Whitehall Palace, in 1667 (replica)’ 1846

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Sir John Everett Millais, Bt, ‘The Artist Attending the Mourning of a Young Girl’ c.1847

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Charles Robert Leslie, ‘Sketch for ‘Charles II and Lady Bellenden’’ c.1837

Charles Robert Leslie Sketch for ‘Charles II and Lady Bellenden’

c.1837

Thomas Webster, ‘Study for ‘A Letter from the Colonies’’ c.1852

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c.1852

Frederick Richard Pickersgill, ‘Amoret, Aemylia and Prince Arthur, in the Cottage of Sclaunder’ exhibited 1845

Frederick Richard Pickersgill Amoret, Aemylia and Prince Arthur, in the Cottage of Sclaunder

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Charles Robert Leslie, ‘Sketch for ‘Twelfth Night’, Act I, Scene 3’ 1841

Charles Robert Leslie Sketch for ‘Twelfth Night’, Act I, Scene 3

1841