Not on display
- Artist
- Charles Robert Leslie 1794–1859
- Medium
- Oil paint on board
- Dimensions
- Support: 140 × 168 mm
- Collection
- Tate
- Acquisition
- Bequeathed by Henry Vaughan 1900
- Reference
- N01796
You might like
-
Charles Robert Leslie Falstaff Personating the King
c.1851 -
Robert Smirke [title not known]
published 1818 -
Charles Robert Leslie Sancho Panza in the Apartment of the Duchess
1843–4, exhibited 1844 -
Daniel Maclise The Play Scene in ‘Hamlet’
exhibited 1842 -
Edward Matthew Ward Doctor Johnson in the Ante-Room of the Lord Chesterfield Waiting for an Audience, 1748
1845, exhibited 1848 -
Frederick Richard Pickersgill Amoret, Aemylia and Prince Arthur, in the Cottage of Sclaunder
exhibited 1845 -
Charles Robert Leslie Uncle Toby and the Widow Wadman
1842 -
Charles Robert Leslie A Scene from Milton’s ‘Comus’
exhibited 1844 -
Charles Robert Leslie Lady Jane Grey Prevailed on to Accept the Crown
exhibited 1827 -
Charles Robert Leslie Sketch for ‘The Duke and Duchess Reading “Don Quixote”’
c.1829 -
Charles Robert Leslie Sketch for ‘Charles II and Lady Bellenden’
c.1837 -
Charles Robert Leslie Sketch for ‘Twelfth Night’, Act I, Scene 3
1841 -
Charles Robert Leslie The Carved Room, Petworth House, Sussex (c1856). Verso: Sketch of a Seated Male Figure in Van Dyck Costume (1844)
c.1856 -
Sir John Everett Millais, Bt The Artist Attending the Mourning of a Young Girl
c.1847
