Charles Robert Leslie

Sketch for ‘Sancho Panza in the Apartment of the Duchess’

c.1844

Image released under Creative Commons CC-BY-NC-ND (3.0 Unported)

License this image

Not on display

Artist: Charles Robert Leslie 1794–1859
Medium: Oil paint on board
Dimensions: Support: 140 x 168 mm
Collection: Tate
Acquisition: Bequeathed by Henry Vaughan 1900
Reference: N01796

Explore

interiors(4,369)
- domestic(1,731)
  - living room(277)
literature and fiction(3,169)
- literature (not Shakespeare)(2,333)
  - de Cervantes, Miguel, ‘Don Quixote’, 1605-1615(42)
- characters(445)
  - Sancho Panza(21)
objects(23,037)
- clothing and personal effects(5,836)
  - dress(368)
- religious and ceremonial(1,714)
  - throne(32)
people(35,247)
- adults(22,958)
  - man(10,596)
  - woman(9,099)
- groups(5,428)
  - group(4,465)
- actions: processes and functions(2,127)
  - listening(82)
work and occupations(14,301)
- domestic(834)
  - servant(149)
- royalty and social rank(1,835)
  - aristocrat(1,356)

You might like

Charles Robert Leslie, ‘Sancho Panza in the Apartment of the Duchess’ 1843–4, exhibited 1844

Charles Robert Leslie Sancho Panza in the Apartment of the Duchess

1843–4, exhibited 1844

N00402

Charles Robert Leslie, ‘Sketch for ‘The Duke and Duchess Reading “Don Quixote”’’ c.1829

Charles Robert Leslie Sketch for ‘The Duke and Duchess Reading “Don Quixote”’

c.1829

N01792

Charles Robert Leslie, ‘Uncle Toby and the Widow Wadman’ 1842

Charles Robert Leslie Uncle Toby and the Widow Wadman

1842

N00613

Charles Robert Leslie, ‘The Carved Room, Petworth House, Sussex (c1856). Verso: Sketch of a Seated Male Figure in Van Dyck Costume (1844)’ c.1856

Charles Robert Leslie The Carved Room, Petworth House, Sussex (c1856). Verso: Sketch of a Seated Male Figure in Van Dyck Costume (1844)

c.1856

T03789

Charles Robert Leslie, ‘Falstaff Personating the King’ c.1851

Charles Robert Leslie Falstaff Personating the King

c.1851

A00739

Charles Robert Leslie, ‘A Scene from Milton’s ‘Comus’’ exhibited 1844

Charles Robert Leslie A Scene from Milton’s ‘Comus’

exhibited 1844

N01182

Edward Matthew Ward, ‘Doctor Johnson in the Ante-Room of the Lord Chesterfield Waiting for an Audience, 1748’ 1845, exhibited 1848

Edward Matthew Ward Doctor Johnson in the Ante-Room of the Lord Chesterfield Waiting for an Audience, 1748

1845, exhibited 1848

N00430

Charles Robert Leslie, ‘Lady Jane Grey Prevailed on to Accept the Crown’ exhibited 1827

Charles Robert Leslie Lady Jane Grey Prevailed on to Accept the Crown

exhibited 1827

N01790

Robert Smirke, ‘[title not known]’ published 1818

Robert Smirke [title not known]

published 1818

A00859

Edward Matthew Ward, ‘The Disgrace of Lord Clarendon, after his Last Interview with the King - Scene at Whitehall Palace, in 1667 (replica)’ 1846

Edward Matthew Ward The Disgrace of Lord Clarendon, after his Last Interview with the King - Scene at Whitehall Palace, in 1667 (replica)

1846

N00431

Frederick Richard Pickersgill, ‘Amoret, Aemylia and Prince Arthur, in the Cottage of Sclaunder’ exhibited 1845

Frederick Richard Pickersgill Amoret, Aemylia and Prince Arthur, in the Cottage of Sclaunder

exhibited 1845

N00445

Sir John Everett Millais, Bt, ‘The Artist Attending the Mourning of a Young Girl’ c.1847

Sir John Everett Millais, Bt The Artist Attending the Mourning of a Young Girl

c.1847

T07135

Charles Robert Leslie, ‘Sketch for ‘The Rape of the Lock’’ c.1854

Charles Robert Leslie Sketch for ‘The Rape of the Lock’

c.1854

N01804

Charles Robert Leslie, ‘Sketch for ‘Charles II and Lady Bellenden’’ c.1837

Charles Robert Leslie Sketch for ‘Charles II and Lady Bellenden’

c.1837

N01799

William Maw Egley, ‘Omnibus Life in London’ 1859

William Maw Egley Omnibus Life in London

1859

On display at Tate Britain part of Walk Through British Art N05779