Not on display
- Conroy Maddox 1912–2005
- Printed papers and watercolour on paper
- Support: 406 × 279 mm
- Purchased 1971
Conroy Maddox 1912-2005
T01472 The Strange Country 1940
Inscribed ‘Conroy Maddox 40’ b. centre.
Collage and watercolour, 16 x 11 (40.6 x 27.9).
Purchased from the artist through the Hamet Gallery (Gytha Trust) 1971.
Exh: Britain’s Contribution to Surrealism of the 30’s and 40’s, Hamet Gallery, November 1971 (not in catalogue); Conroy Maddox, Hamet Gallery, January–February 1972 (36).
The artist states: ‘This collage was almost the first of many I produced during the war, although only a few have survived. It does illustrate the beginning of one aspect of collage that interested me as a Surrealist. And which I continued to develop. The use of the double-focus image. The figure with folded arms has a balloon for his head. Although we recognise its function as a head at the same time one does not lose sight of the fact that it is also a balloon. This wrenching of an image out of its accepted context through association diverts the image from its initial meaning and forces one to speculate on its believability within a newly created reality .’
‘I like the ready-made immediately recognisable elements for my collages, and this collage of 1940 is no exception. Each image is complete and recognisable but in the process of finding relationships the ordinary becomes extraordinary. In works like this I think it is important to remember that an incomplete explanation is no less persuasive for leaving certain questions unanswered.’ (Letter of 21 January 1972).
Published in The Tate Gallery Report 1970–1972, London 1972.
- emotions, concepts and ideas(16,874)
- universal concepts(6,472)