Not on display
- Artist
- Benjamin Marshall 1768–1835
- Medium
- Oil paint on canvas
- Dimensions
- Support: 1003 × 851 mm
- Collection
- Tate
- Acquisition
- Purchased 1936
- Reference
- N04825
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- building - non-specific(3,161)
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- whip(45)
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You might like
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William Etty Candaules, King of Lydia, Shews his Wife by Stealth to Gyges, One of his Ministers, as She Goes to Bed
exhibited 1830 -
Joseph Mallord William Turner The Golden Bough
exhibited 1834 -
Henry Perronet Briggs Romeo and Juliet - Act II Scene 5 (‘Juliet and her Nurse’)
exhibited 1827 -
George Clint Falstaff’s Assignation with Mrs Ford
?1830–1, exhibited 1831 -
John Rogers Herbert Sir Thomas More and his Daughter
1844, exhibited 1844 -
Joseph Mallord William Turner The Loretto Necklace
1829 -
Alfred Stevens An Artist in his Studio
c.1840–2 -
James Northcote A Young Lady Playing the Harp
?exhibited 1814 -
Samuel Colman (or Coleman) The Destruction of the Temple
c.1830–40 -
Benjamin Marshall Emilius
?1824 -
Benjamin Marshall Sir Charles Bunbury with Cox, his Trainer, and a Stable-Lad: A Study for ‘Surprise and Eleanor’
?1801 -
Benjamin Marshall James Belcher, Bare-Knuckle Champion of England
?1803 -
Benjamin Marshall Interior of a Barn with a Milkmaid and Farm Labourer
c.1820 -
Henry Monro The Disgrace of Wolsey
exhibited 1814
