Not on display
- Artist
- Benjamin Marshall 1768–1835
- Medium
- Oil paint on canvas
- Dimensions
- Support: 1003 x 851 mm
- Collection
- Tate
- Acquisition
- Purchased 1936
- Reference
- N04825
Explore
- architecture(41,339)
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- classical(1,043)
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- building - non-specific(3,175)
- agriculture, gardening & fishing(954)
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- whip(46)
- hat(1,460)
- sculpture(680)
- table(766)
- actions: postures and motions(9,220)
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- standing(3,207)
- individuals: male(1,965)
You might like
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Benjamin Marshall James Belcher, Bare-Knuckle Champion of England
?1803 -
Benjamin Marshall Sir Charles Bunbury with Cox, his Trainer, and a Stable-Lad: A Study for ‘Surprise and Eleanor’
?1801 -
George Clint Falstaff’s Assignation with Mrs Ford
?1830–1, exhibited 1831 -
Henry Monro The Disgrace of Wolsey
exhibited 1814 -
Alfred Stevens An Artist in his Studio
c.1840–2 -
Benjamin Marshall Emilius
?1824 -
Benjamin Marshall Interior of a Barn with a Milkmaid and Farm Labourer
c.1820 -
Henry Perronet Briggs Romeo and Juliet - Act II Scene 5 (‘Juliet and her Nurse’)
exhibited 1827 -
John Rogers Herbert Sir Thomas More and his Daughter
1844, exhibited 1844 -
Henry Thomson The Raising of Jairus’ Daughter
exhibited 1820 -
James Northcote A Young Lady Playing the Harp
?exhibited 1814 -
William Etty Candaules, King of Lydia, Shews his Wife by Stealth to Gyges, One of his Ministers, as She Goes to Bed
exhibited 1830 -
Charles Robert Leslie A Scene from Milton’s ‘Comus’
exhibited 1844 -
William Collins Sunday Morning
?exhibited 1836