Not on display
- Artist
- Henry Moore OM, CH 1898–1986
- Medium
- Bronze
- Dimensions
- Object: 1160 × 2520 × 1320 mm, 895 kg
- Collection
- Tate
- Acquisition
- Presented by the artist 1978
- Reference
- T02292
Display caption
Moore often used natural objects as sources for his sculptures. He kept boxes of bones, flints, and shells close at hand in his studio. The shape of this sculpture, and the way it interlocks, seem to be derived from bones and joints. Even at their most abstract, his work has an organic quality. Moore commented: ‘The observation of nature is part of an artist's life, it enlarges his form [and] knowledge, keeps him fresh ... and feeds inspiration.’
Gallery label, August 2004
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Catalogue entry
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Henry Moore OM, CH Reclining Figure
1951–66 -
Henry Moore OM, CH Studies for Sculpture: Two and Three Piece Reclining Figures
1967–71 -
Henry Moore OM, CH Two Piece Reclining Figures: Points
1969 -
Henry Moore OM, CH Reclining Figure
1967 -
Henry Moore OM, CH Reclining Figure
1939, cast 1959 -
Henry Moore OM, CH Working Model for Unesco Reclining Figure
1957, cast c.1959–61 -
Henry Moore OM, CH Two Piece Reclining Figure No.2
1960, cast 1961–2 -
Henry Moore OM, CH Reclining Figure
1951 -
Henry Moore OM, CH Two Piece Reclining Figure No.3
1961, cast date unknown -
Henry Moore OM, CH Three Piece Reclining Figure No.1
1961–2, cast date unknown -
Henry Moore OM, CH Two Piece Reclining Figure No.5
1963–4, cast date unknown -
Henry Moore OM, CH Working Model for Reclining Figure (Lincoln Center)
1963–5, cast date unknown -
Henry Moore OM, CH Two Piece Reclining Figure No.9
1968, cast c.1968–70 -
Henry Moore OM, CH Working Model for Three Piece No.3: Vertebrae
1968, cast c.1968 -
Henry Moore OM, CH Reclining Figure: Bunched
1961, cast 1961–2
