
Not on display
- Artist
- George Morland 1763–1804
- Medium
- Oil paint on canvas
- Dimensions
- Support: 1486 × 2038 mm
frame: 1925 × 2510 x200mm
weight: 108 kg - Collection
- Tate
- Acquisition
- Presented by T. Birch Wolfe 1877
- Reference
- N01030
Display caption
This painting was exhibited at the Royal Academy in 1791. Morland specialised in scenes of rural labourers and farm animals, subject matter which seemed to some an unwarranted intrusion amongst the aristocratic portraits and historical scenes on the Academy’s walls.
Morland’s work was most widely known through reproductive prints, which provided much smaller, and often softer, versions of his paintings. The Academy was however, always keen to prevent its exhibitions from being used by printsellers to advertise their wares.
Gallery label, September 2004
Does this text contain inaccurate information or language that you feel we should improve or change? We would like to hear from you.
You might like
-
Joseph Mallord William Turner A Stableman in a Striped Coat with Dog and Saddled Horse in Front of Trees
c.1789 -
Thomas Stothard A Battle
date not known -
James Ward Cattle-Piece, ? Marylebone Park
1807 -
Thomas Hand Cottage and Hilly Landscape
1797 -
George Morland Outside the Ale-House Door
1792 -
George Morland Roadside Inn
1790 -
George Morland Morning: Higglers Preparing for Market
1791 -
George Morland Outside an Inn, Winter
c.1795 -
Henry Fuseli The Shepherd’s Dream, from ‘Paradise Lost’
1793 -
George Stubbs Haymakers
1785 -
Jacques Laurent Agasse Two Hunters with a Groom
c.1805 -
Jacques Laurent Agasse Lord Rivers’s Groom Leading a Chestnut Hunter towards a Coursing Party in Hampshire
1807 -
Benjamin Marshall Sir Charles Bunbury with Cox, his Trainer, and a Stable-Lad: A Study for ‘Surprise and Eleanor’
?1801 -
Benjamin Marshall James Belcher, Bare-Knuckle Champion of England
?1803 -
Philip Reinagle Members of the Carrow Abbey Hunt
1780