In Tate Britain
Prints and Drawings Room
View by appointment- Artist
- Charles Fairfax Murray 1849–1919
- Medium
- Graphite and watercolour on paper. Verso: charcoal on paper
- Dimensions
- Support: 264 × 254 mm
- Collection
- Tate
- Acquisition
- Purchased as part of the Oppé Collection with assistance from the National Lottery through the Heritage Lottery Fund 1996
- Reference
- T09720
Explore
- architecture(41,310)
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- periods and styles(5,203)
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- classical(1,043)
- townscapes / man-made features(21,653)
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- building - non-specific(3,170)
- actions: expressive(2,631)
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- talking(608)
- dress: nations/regions(274)
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- Greece(7)
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Sir Edward Coley Burne-Jones, Bt Study of a Standing Woman for ‘The Passing of Venus’
1877 -
Charles Samuel Keene Self-Portrait, Seated
?1885 -
Sir Edward Coley Burne-Jones, Bt Study of a Seated Woman for ‘The Passing of Venus’
c.1877 -
Lady Edna Clarke Hall Seated Woman
c.1899 -
Charles Samuel Keene Seated Girl
1885 -
Charles Samuel Keene The Artist Standing
1884 -
John William Inchbold A Girl Seated on Rocks in a Wood
date not known -
Claud Lovat Fraser Seated Female Nude
1919 -
Sir Edward Coley Burne-Jones, Bt The Passing of Venus
1898 -
Maxwell Gordon Lightfoot Study of a Girl
c.1910 -
Claud Lovat Fraser Nude Study: Two Seated Women
c.1919 -
Charles Samuel Keene Study of a Standing Man
date not known -
Douglas Fox Pitt Concert on the West Pier, Brighton
c.1916–18 -
Phil May Waiter and Diner. Caricature
date not known -
Sir Edward Coley Burne-Jones, Bt Study of Seated Figure for ‘The Garden Court’ in the ‘Briar Rose’ Series
c.1873