Not on display
- Barnett Newman 1905–1970
- Oil paint on canvas
- Support: 2388 x 1721 x 50 mm
- Purchased 1980
T03081 EVE 1950
Inscribed ‘↑EVE/Barnett Newman 1950’ on back of canvas, and ‘TOP↑’ on top fold-over of canvas
Oil on canvas, 94 × 67 3/4 (244 × 172.1)
Purchased from E.J.Power (Grant-in-Aid) 1980
Prov: E.J. Power, London (purchased from the artist through David Gibbs, London, 1960)
Exh: Barnett Newman, Betty Parsons Gallery, New York, April–May 1951 (no catalogue); Barnett Newman: First Retrospective Exhibition, Bennington College, Bennington, Vermont, May 1958 (6); Barnett Newman: A Selection 1946–52, French & Co., New York, March–April 1959 (23); Barnett Newman, Tate Gallery, June–August 1972 (not in catalogue, repr.p.49)
Lit: Thomas B. Hess, Barnett Newman, New York 1971, pp.76, 78, 109, repr.p.78; Harold Rosenberg, Barnett Newman, New York 1978, pp.52, 67, repr.pl.65 in colour
The last two paintings that Newman completed before his second one-man exhibition at the Betty Parsons Gallery in April–May 1951 were this one and a painting called ‘Adam’. At that time ‘Adam’ only had two stripes, but Newman added a further, third stripe down the left centre a year later and it is now inscribed with the double date 1951 + 1952. ‘Adam’ was bought by the Tate from the American collector Ben Heller in 1968; ‘Eve’ now rejoins it.
'Adam’ is slightly wider as well as quite different in colour, and the two pictures do not have much in common except that both have bands at the sides. Nevertheless Mrs Newman states: ‘I think he thought of them as a pair because he worked on the first painting and then on the second continuously until they were finished and then named them “Adam” and “Eve”’ (letter of 6 April 1983).
The Tate Gallery 1980-82: Illustrated Catalogue of Acquisitions, London 1984
E.J. (or Ted) Power was the first, and for a period, the only substantial collector of contemporary art in ...
Elisabeth Bronfen, Lucinda Hawksley, John Paul Lynch and Callum Innes reflect on a work in the Tate collection