Skip navigation

Main menu

  • What's On
  • Visit
  • Art
    • Discover Art
    • Artists
    • Artworks
    • Stories
    Stories
    Stories

    Watch, listen and read

  • Learn
    • Schools
    • Tate Kids
    • Research
    • Activities and workshops
    Tate Kids
    Tate Kids

    Games, quizzes and films for kids

  • Shop
Become a Member
  • View All
  • Exhibitions And Displays
  • On Today
  • Events
  • Tate Modern
  • Tate Britain
  • Tate St Ives
  • Tate Liverpool
  • Tate Britain
    Tate Britain Free admission
  • Tate Modern
    Tate Modern Free admission
  • Tate Liverpool + RIBA North
    Tate Liverpool + RIBA North Free admission
  • Tate St Ives
    Tate St Ives Ticket or membership card required
  • Families
  • Accessibility
  • Schools
  • Private tours
  • Discover Art
  • Artists
  • Artworks
  • Stories
  • Schools
  • Tate Kids
  • Research
  • Activities and workshops
Tate Logo

Try searching for...

  • Hurvin Anderson
  • Ophelia
  • School visits to Tate
  • Tate Modern Lates
  • Tracey Emin

DON'T MISS

Exhibition

Hurvin Anderson

Tate Britain
Until 23 Aug 2026
Exhibition

Tracey Emin: A Second Life

Tate Modern
Until 31 Aug 2026
Become a Member
Back to Tate Modern
Free Display

In the Studio

Investigate the processes artists use to make artworks, and how our responses are integral to the piece

  • About
  • Rooms
  • Highlights

Mark Rothko, Black on Maroon 1958. Tate. © Kate Rothko Prizel and Christopher Rothko/DACS 2026.

The close engagement between the individual and the work of art, whether an artist’s process of making or a viewer’s experience of looking, is the focus for this display.

It includes depictions of artists’ studios as well as abstract works that draw attention to the complex nature of perception.

Read more

Tate Modern
Natalie Bell Building Level 2 East

Getting Here

Ongoing

Free

7 rooms in In the Studio

Ronald Moody and Belkis Ayón

Ronald Moody and Belkis Ayón

This room brings together works by two leading artists from the Caribbean. Both explore the legacy of female mythological figures

Go to room

Photo © Tate (Yili Liu)​

Studio Practice

Studio Practice

Discover how art can reflect the circumstances and spaces in which it is made

Go to room

Meraud Guevara, Seated Woman with Small Dog c.1939. Tate. © Estate of Meraud Guevara.

ARTIST ROOMS: Francesca Woodman

ARTIST ROOMS: Francesca Woodman

These works combine photography and performance to explore hidden parts of the self

Go to room

Francesca Woodman, Untitled, Providence, Rhode Island 1975–8. ARTIST ROOMS Tate and National Galleries of Scotland. © Woodman Family Foundation / Artist’s Rights Society (ARS), New York and DACS, London.

The Shape of Words

The Shape of Words

See how artists explored the abstract and expressive potential of words, letters, signs and calligraphy

Go to room

A room inside a gallery featuring a large colourful square painting

Painting the Figure in the 21st Century

Painting the Figure in the 21st Century

Explore contemporary paintings depicting people and figures

Go to room

Antonio Obá, Sentinel - Kinda 2021. Lent by the Tate Americas Foundation, courtesy of the Latin American Acquisitions Committee, Estrellita B. Brodsky, and Tiqui Atencio Demirdjian 2024. © Courtesy of Antonio Obá and Mendes Wood DM São Paolo, Brussels, New York.

Painterly Gestures

Painterly Gestures

Artists in this room demonstrate different ways they approach painting as an action, emphasising the processes and materials they use in their work

Go to room

Henri Matisse, The Snail 1953. Tate.

Poetics of Blackness

Poetics of Blackness

In this room, photographers Roy DeCarava and Dawoud Bey address histories of Blackness, visibility and invisibility

Go to room

Photo © Tate (Yili Liu)

Georges Braque, Clarinet and Bottle of Rum on a Mantelpiece  1911

A horizontal clarinet lies on top of a mantelpiece at the centre of this playful, geometric work. In front stands a bottle with the characters RHU, the first three letters of the French word for rum. The word VALSE (waltz) indicates sheet music, reinforced by fragments of treble and bass clefs found throughout the image. A scrolled form in the lower right could represent part of the mantelpiece, or a violin-head. Braque painted this during a summer he spent with Picasso in the Pyranees. They worked together depicting similar scenes and objects in the same style.

Gallery label, April 2022

1/4
highlights in In the Studio

More on this artwork

Amy Sherald, As Soft as She Is...  2022

2/4
highlights in In the Studio

More on this artwork

Francesca Woodman, Untitled, Providence, Rhode Island  1975–6

3/4
highlights in In the Studio

More on this artwork

Ronald Moody, Midonz  1937

We do not know for sure the identity of this monumental head. One writer suggested she is Moody’s ‘vision of woman, primordial and awakening’. Moody himself described her as ‘the goddess of transmutation’. Moody was interested in Gnosticism, a belief in the redemption of the spirit from physical matter through spiritual knowledge. It may be this sort of transmutation that he had in mind.

Midonz was shown in Paris and Baltimore in the 1930s, after which it was lost for almost fifty years.

Gallery label, August 2003

4/4
highlights in In the Studio

More on this artwork

Highlights

T02318: Clarinet and Bottle of Rum on a Mantelpiece
Georges Braque Clarinet and Bottle of Rum on a Mantelpiece 1911
T16193: As Soft as She Is...
Amy Sherald As Soft as She Is... 2022
AR00347: Untitled, Providence, Rhode Island
Francesca Woodman Untitled, Providence, Rhode Island 1975–6
T13324: Midonz
Ronald Moody Midonz 1937
See all 145 artworks in In the Studio
Artwork
Close

Join in

  • Twitter
  • Facebook
  • YouTube
  • Instagram
  • Pinterest
Sign up to emails

Sign up to emails

This site is protected by reCAPTCHA and the Google Privacy Policy and Terms of Service apply.

Tate’s privacy policy

About

  • About us
  • Our collection
  • Terms and copyright
  • Governance
  • Picture library
  • ARTIST ROOMS
  • Tate Kids

Support

  • Tate Collective
  • Members
  • Patrons
  • Donate
  • Corporate
  • My account
  • Press
  • Jobs
  • Accessibility
  • Privacy
  • Cookies
  • Contact
© The Board of Trustees of the Tate Gallery, 2026
All rights reserved