
Not on display
- Artist
- Sir William Quiller Orchardson 1832–1910
- Medium
- Oil paint on canvas
- Dimensions
- Support: 1016 × 1486 mm
- Collection
- Tate
- Acquisition
- Presented by Sir Henry Tate 1894
- Reference
- N01521
Display caption
The widower in the foreground looks up as he thinks for a moment that he hears his late wife's voice as his daughter, whom he cannot see, begins to sing. The picture was exhibited with lines from Tennyson's poem Break, break, break:
But O for the touch of a vanish'd hand/ And the sound of a voice that is still.
The poetic quote underscores the deeply sentimental nature of this painting.
Gallery label, August 2004
Does this text contain inaccurate information or language that you feel we should improve or change? We would like to hear from you.
Explore
- architecture(41,314)
- emotions and human qualities(5,351)
-
- memory(370)
- domestic(1,813)
-
- living room(301)
- music and entertainment(2,266)
- fine arts and music(3,760)
-
- instrument, piano(141)
- light / lamp(274)
- couple(1,292)
You might like
-
Sir William Quiller Orchardson The First Cloud
1887 -
Sir William Quiller Orchardson Her First Dance
1884 -
John Robertson Reid A Country Cricket Match
1878 -
James Pryde The Doctor
exhibited 1909 -
John Robertson Reid Toil and Pleasure
1879 -
Sir John Everett Millais, Bt The North-West Passage
1874 -
Thomas Faed Faults on Both Sides
1861 -
Frank Holl Hushed
1877 -
Thomas Faed Highland Mother
exhibited 1870 -
Frank Bramley A Hopeless Dawn
1888 -
Philip Wilson Steer Mrs Cyprian Williams and her Two Little Girls
1891 -
Sir William Quiller Orchardson Napoleon on Board the Bellerophon
exhibited 1880 -
Edwin Douglas Alderneys (Mother and Daughter)
1875 -
Sir John Everett Millais, Bt Speak! Speak!
1895 -
David Muirhead The Avenue
1901